Martin Parr est un photographe de renommée internationale, réputé pour son approche novatrice de la photographie sociale documentaire. Son travail explore souvent les thèmes des loisirs, de la consommation et du tourisme de masse à travers un prisme unique et parfois satirique. Le style de Parr se caractérise par des couleurs vives et des compositions non conventionnelles qui plongent le spectateur dans des scènes du quotidien avec une immédiateté saisissante. À travers sa photographie, il offre un commentaire remarquable sur la société moderne et sa culture visuelle.
This book provides a unique perspective on the story of photography through the particular history of the photobook. The second of two extensive volumes, it completes Martin Parr and Gerry Badger’s study of the major trends and movements that have shaped the photobook genre since the birth of photography. It represents a valuable catalogue of rare and important photobooks. This volume continues where Volume 1 left off by bringing the story of the photobook fully up to date.
When Martin Parr's 'The Last Resort' was first published and exhibited in 1986 it divided both critics and audience alike. Some saw it as the 'finest achievement to date' of colour photography in Britain whilst others viewed it as 'an aberration'. The book is now recognised as a 'classic'
While the history of photography is well-established, the photobook has received less critical attention, despite being a vital medium for photographers to showcase their work and communicate their vision. This first volume, co-edited by Martin Parr and Gerry Badger, offers a comprehensive overview of the photobook's evolution, tracing its origins from the early nineteenth century to the innovative Japanese photobooks of the 1960s and 70s, including modernist and propaganda works from the 1930s and 40s. Badger's introduction emphasizes the significance of the photobook as a photographic genre, challenging the traditional view that photography's history is best represented by original prints. This study corrects the conventional narrative by presenting a selection of photographers that redefines the popular canon, revealing a complex web of influences among global photographers and movements. Organized into thematic and chronological chapters, the book includes introductory texts that provide context and highlight political and artistic influences, followed by detailed discussions of individual photobooks. Accompanying these texts are images from over 200 essential photobooks, showcasing their artistic and cultural significance. Volume One also features Badger's insightful introduction, ‘The Photobook: Between the Film and the Novel,’ alongside a preface by Parr.
The book showcases Martin Parr's extensive photography of beaches, capturing the vibrancy and quirks of beach life across the globe. From sunbathers to playful swimmers, the images highlight the unique rituals and absurdities found in this cherished public space. This compilation marks Parr's first focused exploration of beaches, featuring diverse locations such as Argentina, Japan, and the U.K. With a keen eye for detail, Parr immerses viewers in the cultural nuances and traditions associated with coastal leisure, reflecting his long-standing fascination with this subject.
An unusual and hilarious collection of photographs not by but of Martin Parr. For several years now, when Parr has travelled on assignment he has wherever possible had his picture taken by a local studio photographer, or street photographer, or in a photo booth. The result is a wonderfully varied portfolio of portraits ranging from elaborate studio sets reminiscent of the heyday of the Victorian studio photographer, through to digitally manipulated images of Parr as Mr Universe. Includes 42 full-colour plates.
"Martin Parr" is a compact monograph covering the photographer's career, showcasing his early black and white images and major projects like "The Last Resort" and "Think of England." It includes an introductory essay by Sandra S. Phillips, Senior Curator of Photography at SFMOMA.
Featuring an introduction by renowned photographer Martin Parr, this book includes an insightful essay by Tony Godfrey that delves into the themes and artistic elements present in the work. The combination of Parr's perspective and Godfrey's analysis offers a rich exploration of the subject matter, highlighting the significance and impact of the visual narrative presented. Readers can expect a thoughtful discussion that enhances their understanding of the artwork and its context.
Martin Parr's photography spans 40 years of Ireland's transformation, capturing key events from the Pope's visit in 1979 to modern developments like gay weddings and tech startups in 2019. His work reflects the shift from traditional rural life to contemporary urban growth, with insights into societal changes and a new tourist boom post-Conflict.
In the last decade there has been a major reappraisal of the role and status of the photobook within the history of photography. This book focuses on key volumes published as early as 1900, as well as contemporary volumes by emerging Chinese photographers.
