Judith Butler Livres

Dans Le pouvoir des mots, Judith Butler analyse les récents débats, souvent passionnés, sur la violence verbale dirigée contre les minorités, sur la pornographie et sur l'interdiction faite aux homosexuels membres de l'armée américaine de se déclarer tels. Il s'agit pour elle de montrer le danger qu'il y a à confier à l'État le soin de définir le champ du dicible et de l'indible. Dans un dialogue critique avec J.L. Austin, le fondateur de la théorie du discours performatif, mais aussi avec Sigmund Freud, Michel Foucault, Pierre Bourdieu, Jacques Derrida et Catharine MacKinnon, elle s'efforce d'établir l'ambivalence de la violence verbale (du hate speech) et des discours homophobes, sexistes ou racistes : s'ils peuvent briser les personnes auxquelles ils sont adressés, ils peuvent aussi être retournés et ouvrir l'espace d'une lutte politique et d'une subversion des identités.

This classic work by one of the most important philosophers and critics of our time charts the genesis and trajectory of the desiring subject from Hegel's formulation in Phenomenology of Spirit to its appropriation by Kojève, Hyppolite, Sartre, Lacan, Deleuze, and Foucault. Judith Butler plots the French reception of Hegel and the successive challenges waged against his metaphysics and view of the subject, all while revealing ambiguities within his position. The result is a sophisticated reconsideration of the post-Hegelian tradition that has predominated in modern French thought, and her study remains a provocative and timely intervention in contemporary debates over the unconscious, the powers of subjection, and the subject.

Explores the media's portrayal of state violence and its influence on how the western world engages in warfare, contending that misleading depictions of oppressed or troubled foreign nations has prompted the rationalization of the deaths of large population groups. Reprint.

Published in conjunction with the Documenta 13 exhibition in Kassel, Germany, the Documenta notebook series 100 Notes,100 Thoughts ranges from archival ephemera to conversations and commissioned essays. These notebooks express director Carolyn Christov-Bakargiev's curatorial vision for Documenta 13.

At once profound, accessible, and utterly essential-an animated conversation between two eminent thinkers illuminating what we mean when we talk about living.

What does it mean to lead an ethical life under vexed social and linguistic conditions? In her first extended study of moral philosophy, Judith Butler offers a provocative outline for a new ethical practice -one responsive to the need for critical autonomy yet grounded in the opacity of the human subject.

In her most impassioned and personal book to date, Judith Butler responds in this profound appraisal of post-9/11 America to the current US policies to wage perpetual war, and calls for a deeper understanding of how mourning and violence might instead inspire solidarity and a quest for global justice.

Sarah Calhoun is the fifteen-year-old daughter of the Elector Andrew Calhoun, one of Appalachees military heroes and one of the electors who gets to decide who will next ascend asthe Emperor of the New World. None of that matters to Sarah. She has a natural talent for hexing and one bad eye, and all she wants is to be left aloneespecially by outsiders. But Sarahs world gets turned on its head at the Nashville Tobacco Fair when a Yankee wizard-priesttries to kidnap her. Sarah fights back with the aid of a mysterious monk named Thalanes, who is one of the not-quite-human Firstborn, the Moundbuilders of the Ohio. It is Thalanes who reveals to

Judith Butler elucidates the dynamics of public assembly under prevailing economic and political conditions. Understanding assemblies as plural forms of performative action, she extends her theory of performativity to show why precarity destruction of the conditions of livability is a galvanizing force and theme in today's highly visible protests.

Responding to the US's perpetual war, Butler explores how mourning could inspire solidarity.