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Josep Maria Beà

    Artiste au talent précoce, il crée sa première bande dessinée à l'âge tendre de quatre ans. Sa carrière, lancée professionnellement peu après ses études à Barcelone, comprend des œuvres marquantes telles que 'Historias de taberna galáctica' et 'La esfera cúbica.' Il est devenu une figure clé lors du 'boom de la bande dessinée' des années 1980, a cofondé le magazine Rambla et a publié des œuvres comme 'La muralla' et 'En un lugar de la mente.' Au-delà de ses bandes dessinées, ses activités artistiques s'étendent aux storyboards de cinéma, aux romans de science-fiction et au design numérique, consolidant sa renommée mondiale en tant qu'auteur majeur de sa génération.

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    • Paracuellos

      • 136pages
      • 5 heures de lecture

      In the late 1930s when Spanish fascists led by Francisco Franco, and aided by Hitler and Mussolini, overthrew the democratically elected government, almost 200000 men and women fell in battle, were executed, or died in prison. Their orphaned children —and others ripped from the homes of the defeated— were shuttled from State and Church-run "Home" to "Home" and fed a steady diet of torture and disinformation by a totalitarian state bent on making them "productive" citizens. Carlos Giménez was one of those children. In 1975, after Franco's death, Carlos began to tell his story. Breaking the code of silence proved to be a milestone, both for the comics medium and for a country coming to terms with its past. Eurocomics is proud to present this log-awaited English translation of a comics masterpiece. Placing the comics in historical perspective are illustrated essays by Carmen Moreno-Nuño, Associate Professor of Hispanic Studies ant the University of Kentucky, and Antonio Martin, the foremost historian of Spanish comics.

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