Everywhere hailed as a novel of rare beauty and power, White Oleander tells the unforgettable story of Ingrid, a brilliant poet imprisoned for murder, and her daughter, Astrid, whose odyssey through a series of Los Angeles foster homes-each its own universe, with its own laws, its own dangers, its own hard lessons to be learned-becomes a redeeming and surprising journey of self-discovery.
Everyday life in Baltimore, USA, is full of little problems - getting the washing done, buying groceries and dog food, avoiding the neighbours . . . After the death of his son and the departure of his wife, Macon's attempts to run his own life become increasingly odd - and more and more comical.Meanwhile, he has to get on with his work, writing tourist guides. Then his dog Edward starts to bite people, and he has to send for Muriel, the dog trainer. And day by day, Macon's life gets more and more complicated.
Four mothers, four daughters, four families, whose histories shift with the four winds depending on who's telling the stories. In 1949, four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club. Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives – until their own inner crises reveal how much they've unknowingly inherited of their mothers' pasts. With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between mothers and daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of their matriarchal ties. Tan is an astute storyteller, enticing readers to immerse themselves into these lives of complexity and mystery.
Vier Chinese vrouwen in San Francisco vertellen elkaar over hun jeugd in China.
Roman - Texte intégral
Virginia Miner, a fifty-something, unmarried tenured professor, is in London to work on her new book about children’s folk rhymes. Despite carrying a U.S. passport, Vinnie feels essentially English and rather looks down on her fellow Americans. But in spite of that, she is drawn into a mortifying and oddly satisfying affair with an Oklahoman tourist who dresses more Bronco Billy than Beau Brummel. Also in London is Vinnie’s colleague Fred Turner, a handsome, flat broke, newly separated, and thoroughly miserable young man trying to focus on his own research. Instead, he is distracted by a beautiful and unpredictable English actress and the world she belongs to. Both American, both abroad, and both achingly lonely, Vinnie and Fred play out their confused alienation and dizzying romantic liaisons in Alison Lurie’s Pulitzer Prize-winning novel. Smartly written, poignant, and witty, Foreign Affairs remains an enduring comic masterpiece. “A splendid comedy, very bright, brilliantly written in a confident and original manner. The best book by one of our finest writers.” –Elizabeth Hardwick “There is no American writer I have read with more constant pleasure and sympathy. . . . Foreign Affairs earns the same shelf as Henry James and Edith Wharton.” –John Fowles “If you manage to read only a few good novels a year, make this one of them.” – USA Today “An ingenious, touching book.” – Newsweek “A flawless jewel.” – Philadelphia Inquirer