Heleen ten Holt Ordre des livres (chronologique)

"What does the world need most--a good, ordinary man, or one who is outstanding, albeit with a heart of ice?" This is the question at the heart of Andrew Miller's first novel, Ingenious Pain , a book set during the 18th-century Age of Enlightenment. The outstanding man in question is James Dyer, an English freak of nature who, since birth, has been impervious to physical pain. Not only does he feel no pain, but he recovers from all injuries in record time. By turns a shill for a quack pain- reliever at county fairs, an object of study by a wealthy collector of human oddities, and, eventually, a surgeon, James Dyer--and through him the reader--gains exposure to a panoply of 18th-century philosophical thought, medical practice, historic events, and larger-than-life rogues and heroes, both fictional and real. As a surgeon, James Dyer excels, and his inability to feel--whether physical pain himself or empathy for others--seems only to enhance his skill with a knife. James slices and dices and cures without a scintilla of compassion while his reputation grows, until at last he arrives in Russia and the mystery of his unusual quality is resolved. Miller navigates his complicated story and exotic locales with unswerving confidence, bolstered, no doubt, by thorough research. James Dyer is not a character who invites love, but his adventures make for intelligent, deeply pleasurable reading.

Au milieu des années 1970, a New York, deux couples d'artistes ont partagé les reves de liberté de l'époque. De l'art et de la création, ils ont fait le ciment d'une amitié qu'ils voulaient éternelle et, quand ils ont fondé leur famille, se sont installés dans des appartements voisins. Rien n'a pu les préparer aux coups dont le destin va les frapper et qui vont infléchir radicalement le cours de leurs vies... Siri Hustvedt convie ici a un voyage a travers les régions inquiétantes de l'âme : bouleversant, ambigu, vertigineux, Tout ce que j'aimais est le roman d'une génération coupable d'innocence qui se retrouve, vingt ans plus tard, au bout de son beau reve. schovat popis

Everywhere hailed as a novel of rare beauty and power, White Oleander tells the unforgettable story of Ingrid, a brilliant poet imprisoned for murder, and her daughter, Astrid, whose odyssey through a series of Los Angeles foster homes--each its own universe, with its own laws, its own dangers, its own hard lessons to be learned--becomes a redeeming and surprising journey of self-discovery.

A love story set in Naples in 1772 and based on the romantic entanglements of Lord and Lady Hamilton and Lord Nelson.

Edward gives his ingenuous friend, Mark, a drugged sandwich, a prank which ends tragically. Edward's subsequent guilt, self-hatred, and crisis of conscience are the focal point of the story.

Un des meilleurs romans de l'auteure. Sujet: la crise d'un couple dont l'enfant a été abattu par un gangster.

How else can you defend yourself against losing your hi-fi equipment, your tv set and computer, your watch and rings a house gun, like a house cat; that is a fact of ordinary life in many cities of the world as we come to the end of the twentieth century, especially in south africa at this time the successful, respected executive director of an insurance company, harold, and his doctor wife, claudia, for whom violence could never be a means of solving personal conflict, are faced with something that could never happen to their son has committed murder what kind of loyalty do a mother and a father owe a son who has committed this unimaginable horror what have they done, in influencing his character; more ominously, where is it they have failed him the house gun is a passionate narrative of love being particularly complex between parents and their children it moves with the restless pace of living itself, from the intimate to the general condition; if it is a parable of present violence, it is also an affirmation of the will to human reconciliation that starts where it must, between individuals

Four mothers, four daughters, four families, whose histories shift with the four winds depending on who's telling the stories. In 1949, four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club. Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives – until their own inner crises reveal how much they've unknowingly inherited of their mothers' pasts. With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between mothers and daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of their matriarchal ties. Tan is an astute storyteller, enticing readers to immerse themselves into these lives of complexity and mystery.

Vier Chinese vrouwen in San Francisco vertellen elkaar over hun jeugd in China.

Toby Hood, a young Englishman, shuns the politics and the causes his liberal parents passionately support. Living in Johannesburg as a representative of his family's publishing company, Toby moves easily, carelessly, between the complacent wealthy white suburbs and the seething, vibrantly alive black townships. His friends include a wide variety of people, from mining directors to black journalists and musicians, and Toby's colonial-style weekends are often interspersed with clandestine evenings spent in black shanty towns. Toby's friendship with Steven Sithole, a dashing, embittered young African, touches him in ways he never thought possible, and when Steven's own sense of independence from the rules of society leads to tragedy, Toby's life is changed forever.

In an extraordinary period immediately before the first non-racial election and the beginning of majority rule in South Africa, Vera Stark, the protagonist of Nadine Gordimer's passionate novel, weaves a ruthless interpretation of her own past into her participation into the present as a lawyer representing blacks in the struggle to reclaim the land. None to Accompany Me is arresting and reverbant - perhaps the most powerful novel to date by one of the world's most commanding writers.

Een tienjarige weesjongen uit Edinburgh achterhaalt tijdens zijn verblijf bij zijn excentrieke oom in de Schotse Hooglanden de volledige waarheid omtrent zijn afkomst.

Pour des anglicistes américains, un congé d'études à Londres, c'est le rêve. Vinnie Miner et Fred Turner, deux professeurs de collège en Nouvelle-Angleterre, vont réaliser leur rêve anglophile, loin de la "barbarie" américaine. Le bonheur de lecture vient du fait que Alison Lurie décrit avec intelligence et humour l'ambiguïté des attitudes américaines vis-à-vis de l'Angleterre. Connivence feinte, hypocrisie, fascination réciproque ou rejet mutuel, complexe d'infériorité ou de supériorité. Tous ces sentiments conflictuels ne cessent de se croiser et font de ce livre réjouissant le plus anglais des romans américains. Alison Lurie a reçu pour ce livre le Prix Pulitzer en 1983.

At an imaginary English spa, Professor Rozanov settles down to write his great book and his former student, George McCaffrey, decides their teacher-pupil relationship is a life-long one

There were six of them. Professional men and their waiter. They gather at the Milano Restaurant once a month for good food and good conversation. But lately the Black Widowers have added a new entertainment to their meetings. They have begun to solve mysteries, murders, and conspiracies of seemingly impossible dimensions -- book cover

The 1660s represent a turning point in English history, and for the main events -- the Restoration, the Dutch War, the Great Plague and the Fire of London -- Pepys provides a definitive eyewitness account. As well as recording public and historical events, Pepys paints a vivid picture of his personal life, from his socializing and amorous entanglements, to his theatre-going and his work at the Navy Board. Unequaled for its frankness, high spirits and sharp observations, the diary is both a literary masterpiece and a marvelous portrait of seventeenth-century life.Previously published as The Shorter Pepys, this edition is edited and abridged by Robert Latham, Fellow and Pepys Librarian at Magdalene College, Cambridge.