Val Williams Livres

Pourquoi est-ce un chef-d'oeuvre ? C'est ce qu'explique cet ouvrage, en proposant une analyse inédite de 80 clichés qui ont fait date dans l'histoire de la photographie. Concise, précise et vivante, chacune des notices resitue l'oeuvre dans son contexte, dévoilant ainsi ce qui l'a rendue exceptionnelle. S'agit-il du thème, de la composition, de la technique ? Ou bien plutôt de la fidélité au sujet ? D'Ernst Haas à Martin Parr, en passant par Man Ray, Robert Capa, Nan Goldin ou encore Rineke Dijkstra, ce livre conçu par un spécialiste nous invite dans les coulisses de la création, du portrait au paysage, du photojournalisme au documentaire social.

This retrospective of Martin Parr (b.1952) showcases the wit and color characteristic of his photography while providing a serious assessment of his significant career. Parr's work reflects an urge to document social behavior with a tone of incisive bemusement. Val Williams, a distinguished writer and curator, examines Parr's later, most renowned work in the context of his entire career, illustrating how his striking photographs have captured political and social changes over the past 30 years. Initially starting in Britain, Parr has gained a broad international following, and this book delivers the long-awaited overview of his work. It includes previously unpublished early pieces, his original 1974 installation 'Home Sweet Home', and early black-and-white photographs from Hebden Bridge, Yorkshire, where he lived in the 1970s, alongside images from Ireland and Salford. Additionally, it features selections from his published works, including The Last Resort, The Cost of Living, Signs of the Times, and Think of England (published by Phaidon). With access to Parr's archives and extensive interviews, Williams explores his life, career, influences, and significance in the realms of art and photography.

This project began with an archive and a discovery. Sara Davidmann and her siblings inherited letters and photographs from their uncle and aunt, Ken and Hazel Houston, through their mother, Audrey Davidmann. The letters detail Ken and Hazel's relationship, revealing that Ken, an optician in Edinburgh, was transgender, a fact that profoundly impacted their marriage and social interactions in 1950s Britain. Despite this, they remained together from 1954 until Ken’s death and had no children. The archive includes correspondence between Hazel and Audrey in the late 1950s and early 60s, documenting their private lives. While Ken publicly identified as a man, he lived as a woman at home. In response to the letters and family photographs, Sara Davidmann created a new series of photographs using various techniques, including analogue and digital processes. Reflecting on the vintage photographs, she noted the significance of their surfaces, where time and damage had left marks. This realization inspired her to alter the surfaces of her new photographs with ink, chalks, hand coloring, and other materials. Through series such as ‘The Dress’, ‘Closer’, ‘Dealt with in Scotland’, and ‘Looking for K/Finding K’, Davidmann explores the intersection of art practice and archival investigation.

Kniha objasňuje a vysvětluje význam 80 slavných fotografií. Proč se staly slavnými? Co je na nich tak výjimečného? Obsah knihy je rozdělen na deset tematických celků, kde potom v každé z nich objevíme několik slavných snímků. Můžeme v knize najít fotografie z kategorie: práce, příběh, krása, vztahy, konflikt, pohyb, domov, fotografie z exteriéru (venkovní), nečekané momenty nebo každodenní život.