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Mike Bartlett

    7 octobre 1980

    Dramaturge britannique, son œuvre examine de manière critique les problèmes sociaux et les relations contemporaines. Ses pièces explorent souvent les dynamiques de pouvoir, l'identité et l'impact de la vie moderne à travers un réalisme incisif, parfois troublant. Il est connu pour son dialogue percutant et sa capacité à capturer des vérités universelles dans des scénarios spécifiques. Son écriture invite à la réflexion sur la nature humaine et les attentes sociales.

    Cock
    13
    King Charles III
    • Cock

      • 120pages
      • 5 heures de lecture

      But that's what this is, isn't it? The ultimate bitch fight. When John takes a break from his boyfriend, his accidentally meets the girl of his dreams. Filled with guilt and indecision, he decides there is only one way to straighten this out . . . Mike Bartlett's metrosexual play about love and longing provides us with questions of who we are and who we want to be. John's refusal to fix his identity disturbs and disrupts the lives of those around him in this contemporary tale of sex without nudity and struggle without violence. Mike Bartlett's punchy story takes a playful, candid look at one man's sexuality and the difficulties that arise when you realise you have a choice. Cock premiered at the Royal Court Theatre, London, on 13 November 2009. It is published here in the Modern Classics series, featuring an introduction by Mark O'Thomas.

      Cock2017
    • King Charles III

      • 128pages
      • 5 heures de lecture

      The Queen is dead. After a lifetime of waiting, the prince ascends the throne. But how to rule? Mike Bartlett's controversial and celebrated new "future history" play, which transferred to the West End after an acclaimed world premiere, explores the people beneath the crowns, the unwritten rules of democracy, and the conscience of Britain's most famous family.

      King Charles III2014
      4,1
    • 13

      • 135pages
      • 5 heures de lecture

      "Work out what you want and go for it with all your conviction and don't care if you seem outrageous or stupid ... All that's needed, in the end, is belief. An identical, terrifying dream haunts Londoners in the midst of economic gloom and ineffective protest. Whilst the prime minister considers a preventive war, a young man returns home with a vision for the future. Coincidences, omens and visions collide with political reality in this epic new play from the writer of Earthquakes in London. Set in a dark and magical landscape, it depicts a London both familiar and strange, a London staring into the void. In a year which has seen governments fall as the people take to the streets, 13 explores the meaning of personal responsibility, the hold that the past has over the future and the nature of belief itself."--Publisher's description

      132011
      3,5