Tom Stoppard Livres

A fifth volume of Stoppard's work, with an introduction by the author. The five plays included are Arcadia, The Real Thing, Night & Day, Indian Ink and Hapgood.

'One of Britain's greatest living playwrights to provide his most personal play yet.' The Times'The news that Tom Stoppard has written a new drama ranks as top-end seismic activity.' Daily Telegraph

Contains radio plays, which complement the author's work for the stage. The volume includes In the Native State, which became the stage play Indian Ink. It also includes The Dissolution of Dominic Boot, 'M' is for Moon Among Other Things, If You're Glad I'll Be Frank, Albert's Bridge, Where Are They Now? and more.

Little Theatre Comedy Tom Stoppard Characters: 5 male, 3 female Complete Interior Set Riley's a dreamer with all sorts of off beat inventions and his latest one is a double gummed envelope that can be used twice used: once for sending and then turned inside out for replying. At home Riley is not well liked. His daughter is going to run away and marry a motorcyclist who turns out to be already married, and she can no longer support her dad in his unemployed h

Renowned for its powerful exploration of political themes, this play delves into the complexities of power, ambition, and morality. It offers a critical examination of the human condition through its compelling characters and intricate plot, making it a standout work in the realm of political theater. The play's relevance and depth have earned it a lasting place in literary history, captivating audiences with its insightful commentary on governance and ethics.

The Coast of Utopia is an epic but also intimate drama of romantics and revolutionaries in an age of emperors. The three sequential, self-contained plays, Voyage, Shipwreck and Salvage, span the lives and loves of a group of Russian friends at home and abroad in the tumultuous years between 1833 and 1866.

Young Will Shakespeare has writer's block... the deadline for his new play is fast approaching but he's in desperate need of inspiration. That is, until he finds his muse - Viola. This beautiful young woman is Will's greatest admirer and will stop at nothing (including breaking the law) to appear in his next play. Against a bustling background of mistaken identity, ruthless scheming and backstage theatrics, Will's love for Viola quickly blossoms and inspires him to write his greatest masterpiece.

This fourth volume of Tom Stoppard's work for the stage brings together five of his most celebrated translations and adaptations of plays by Arthur Schnitzler (Dalliance and Undiscovered Country), Ferenc Molnar (Rough Crossing), Johann Nestroy (On the Razzle) and Anton Chekhov (The Seagull).

Das Drehbuch zu dem mit 9 Oscars ausgezeichneten Film hat nicht nur die Kinogänger in Begeisterung versetzt; es ist auch für Literaturwissenschaftler von großem Interesse. Denn hier wird zugleich eine höchst lebendige Einführung in die elisabethanische Theaterepoche gegeben. Natürlich ist der Plot fiktiv, aber die Personen bewegen sich in einer (rekonstruierten) realistischen Welt und die Integration von Romeo und Julia in die Handlung ist exzellent gelungen. Ungekürzte und unbearbeitete Textausgabe in der Originalsprache, mit Übersetzungen schwieriger Wörter am Fuß jeder Seite, Nachwort und Literaturhinweisen.

Arcadia takes us back and forth between the nineteenth and twentieth centuries, ranging over the nature of truth and time, the difference between the Classical and the Romantic temperament, and the disruptive influence of sex on our orbits in life. Focusing on the mysteries—romantic, scientific, literary—that engage the minds and hearts of characters whose passions and lives intersect across scientific planes and centuries, it is "Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and . . . emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow . . . Exhilarating" (Vincent Canby, The New York Times).