Colson Whitehead Livres

Dans la Floride ségrégationniste des années 1960, le jeune Elwood Curtis prend très à coeur le message de paix de Martin Luther King. Prêt à intégrer l'université pour y faire de brillantes études, il voit s'évanouir ses rêves d'avenir lorsque, à la suite d'une erreur judiciaire, on l'envoie à la Nickel Academy, une maison de correction qui s'engage à faire des délinquants des « hommes honnêtes et honorables ». Sauf qu'il s'agit en réalité d'un endroit cauchemardesque, où les pensionnaires sont soumis aux pires sévices. Elwood trouve toutefois un allié précieux en la personne de Turner, avec qui il se lie d'amitié. Mais l'idéalisme de l'un et le scepticisme de l'autre auront des conséquences déchirantes. Couronné en 2017 par le prix Pulitzer pour Underdground Railroad puis en 2020 pour Nickel Boys, Colson Whitehead s'inscrit dans la lignée des rares romanciers distingués à deux reprises par cette prestigieuse récompense, à l'instar de William Faulkner et John Updike. S'inspirant de faits réels, il continue d'explorer l'inguérissable blessure raciale de l'Amérique et donne avec ce nouveau roman saisissant une sépulture littéraire à des centaines d'innocents, victimes de l'injustice du fait de leur couleur de peau.

La 4e de couv. indique : "Cora is a slave on a cotton plantation in Georgia, an existence made even more hellish by her status as an outcast among her fellow Africans. And she is approaching womanhood, where greater pain and danger awaits. So when Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, Cora takes the momentous decision to acompany him on his escape to the North."

Cora is a slave on a cotton plantation in Georgia. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Though they manage to find a station and head north, they are being hunted. Their first stop is South Carolina, in a city that initially seems like a haven. But the city's placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom

Colson Whitehead, a two-time Pulitzer Prize winner, presents a captivating novel set in 1970s New York, depicting Harlem's vibrant yet gritty landscape. This darkly humorous story explores the challenges of urban life while delving into the deeper themes of family and connection.

Pure shimmering brilliance...One of the funniest books I've ever read' Gary Shteyngart

To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Strivers Row dont approve of him or their cramped apartment across from the subway tracks, its still home. Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time. Cash is tight, especially with all those installment-plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace, Ray doesnt ask where it comes from. He knows a discreet jeweler downtown who doesnt ask questions, either. Then Freddie falls in with a crew who plan to rob the Hotel Theresathe Waldorf of Harlemand volunteers Rays services as the fence. The heist doesnt go as planned; they rarely do. Now Ray has a new clientele, one made up of shady cops, vicious local gangsters, two-bit pornographers, and other assorted Harlem lowlifes. Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he begins to see who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs? Harlem Shuffles ingenious story plays out in a beautifully recreated New York City of the early 1960s. Its a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem. But mostly, its a joy to read, another dazzling novel from the Pulitzer Prize and National Book Award-winning Colson Whitehead

A brilliant, witty, and subtle novel, written in a most engaging style, with tremendous aptness of language and command of plot New York Review of Books

In a dazzlingly original work of nonfiction, award-winning novelist Colson Whitehead captures the exuberance, chaos, promise, and heartbreak of New York. This literary love song enchants anyone who has lived in or visited this iconic American city. Through a series of vignettes, meditations, and personal memories, Whitehead evokes the city’s inner and outer landscapes. He conveys the feelings of longtime residents and newcomers alike, portraying those who have conquered its challenges and those who struggle against its cruelties. His style mirrors New York’s multilayered essence, seamlessly shifting between third, first, and second person to weave individual voices into a jazzy composition that reflects the city’s experience. From a humorous take on arriving in New York for the first time to a lyrical meditation on how an unexpected rain shower transforms the city, Whitehead explores the ferocious battle of commuting and captures the plaintive notes of the lonely and dispossessed. He also highlights magical moments when the city seems to speak directly to you, inviting you to embrace its rhythms. This remarkable portrait of life in the big city is an unparalleled tribute to New York and a compelling introduction to one of today’s most exciting writers.

From the author of "The Intuitionist" comes a retelling of the legend of John Henry that sweeps across generations and cultures in a stunning, hilarious, and unsettling portrait of American society.

Verticality, architectural and social, is the lofty idea at the heart of Colson Whitehead's first novel that takes place in an unnamed high-rise city that combines 21st-century engineering feats with 19th-century pork-barrel politics. Elevators are the technological expression of the vertical ideal, and Lila Mae Watson, the city's first black female elevator inspector, is its embattled token of upward mobility. When Number Eleven of the newly completed Fanny Briggs Memorial Building goes into deadly free-fall just hours after Lila Mae has signed off on it, using the controversial "Intuitionist" method of ascertaining elevator safety, both Intuitionists and Empiricists recognize the set-up, but may be willing to let Lila Mae take the fall in an election year. As Lila Mae strives to exonerate herself in this urgent adventure full of government spies, underworld hit men, and seductive double agents, behind the action, always, is the Idea. Lila Mae's quest is mysteriously entwined with existence of heretofore lost writings by James Fulton, father of Intuitionism, a giant of vertical thought. If she is able to find and reveal his plan for the perfect, next-generation elevator, the city as it now exists may instantly become obsolescent.--Joyce Thompson