Arthur Miller Ordre des livres

"The greatest American dramatist of our age" Evening Standard This fifth volume of Arthur Miller's work contains two plays from the early nineties: his highly acclaimed The Last Yankee (1993), which the Guardian called "a fine and moving play . . . Like all Miller's best work, it effortlessly links private and public worlds by connecting personal desperation to insane American values"; and The Ride Down Mount Morgan (1991), which explores themes of bigamy and betrayal, described as "searching, scorching, harsh but compassionate" (Sunday Times). Also contained in the volume is Almost Everybody Wins, the original version of the screenplay Arthur Miller wrote for Karel Reisz's film, "Everybody Wins".

Vynikajúci americký spisovateľ a dramatik Arthur Miller pre deti napísal iba jeden jediný, ale jedinečný rozprávkový príbeh Jankina perinka. Hrejivý rodinný príbeh o tom, akým šťastím je dieťa v rodine. Nie je však len o dievčatku a jeho perinke. Je najmä o veciach a vzťahoch, ktoré sú v živote dôležité; o dospievaní a o tom, ako sa z bábätka stáva dievča. A tak trochu je to aj príbeh o autorovi samom. Janka je jeho prvá dcérka Jane, ktorá sa bolestne lúči s milovanou perinkou, lebo sa nelúči iba s ňou, ale aj so svojím detstvom. Z nežných ilustrácií Maje Dusíkovej vyžaruje pokoj a harmónia. Kniha je určená deťom od 3 rokov. V čase, keď Jane spávala prikrytá ružovou perinkou, jej ocko ešte nebol slávny. Vedel a cítil len, že má talent a túžil, aby o tom presvedčil aj iných. Jane pomaly z perinky vyrastala a jej ockovi sa splnil sen: jeho divadelné hry sa hrali na Broadwayi, na slávnych divadelných pódiách. S úspechom prišla aj sláva a na jednej filmovačke sa spoznal a neskôr oženil s najobdivovanejšou herečkou všetkých čias, s Marilyn Monroe. Aj ona mala jeho dcérku Jane rada. Preložila: Zuzana Vilikovská Ilustrovala: Maja Dusíková

"Listen to the dialogue: no other American dramatist has this feel for the ordinary talk of ordinary people, or the knowledge of what they do. This is more than a writer's craft, it is a psychological and moral openness to humanity, an act not of imitating, but of sharing". Sunday Times This fourth anthology features Arthur Miller's two early plays, The Golden Years, a historical tragedy about Montezuma's destruction at the hands of Cortez, and The Man Who Had All the Luck, a fable about human freedom and individual responsibility, are brought together in this volume. It also features two of his contemporary shorter plays, I Can't Remember Anything and Clara, first presented on a double bill as Danger! Memory. The latter focus on the importance and dangers of remembering the past, while the early plays, written at the time of the Second World War, mark the emergence of a drama in which public issues are rooted in private anxieties and chart the beginning of Miller's career that was one of the most distinguished in dramatic history. First produced in 1944 and revived in London in 2008, The Man Who Had All the Luck is a mesmerising drama in which the author's brilliance and characteristic qualities are already evident: The fourth volume of Miller's plays has been reissued with a new cover and features an introduction by the author and a chronology of his work.

"The greatest American dramatist of our age" - Evening Standard In this third volume of collected works, three of Arthur Miller's stage plays from the early 1980s are brought together in a new edition. Expanding on the themes and explorations of his earlier work, this volume also contains an introduction from the playwright himself, as well as an afterword by acclaimed Miller scholar Christopher Bigsby. A sweeping, hard-hitting look at the Great Depression of the 1930s, The American Clock(1982) is a vaudevillian celebration of American resilience and optimism in the face of national crisis, and was later performed on Broadway. Set in an Eastern European capital, The Archbishop's Ceiling (1984), examines the relationship between four writers, and the erosion of personal integrity during the cold war: a thrilling study of the effects of surveillance and political pressure on an individual's actions Also included is a revised version of Two-Way Mirror (1984): a double bill for a man and a woman, consisting of two short plays - Elegy for a Lady and Some Kind of Love Story. These fantastic two-handers explore the nuances in relationships, and have come to be come to be recognised as some sort of coded epitaph to the tumult and tragedy of Miller's marriage to Marilyn Monroe Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 3 is a must-have for theatre fans and students alike.

'Mr. Miller knows his audience... he is letting us know, the devil will have his due.' NEW YORK TIMES When insurance agent Lyman Felt is hospitalised following a near-fatal car crash, both of his wives show up at his bedside and his duplicitous bigamy is revealed. As his shocked spouses - the prim Theo and the assertive Leah - reel from this revelation and their husband's hypocrisy, an outrageous question is presented: is marriage actually easier this way? Touching on themes of betrayal, crisis and reconciliation, The Ride Down Mt. Morgan is one of Miller's more controversial works, and was nominated for the Tony Award for Best Play in 1991. This Methuen Drama Student Edition is edited by Thiago Russo, with commentary and notes that explore the play's production history (including excerpts from an interview with director David Esbjornson) as well as the dramatic, thematic and academic debates that surround it.

"In this collected works, five of Arthur Miller's most-produced and popular plays are brought together in a new edition, alongside an exclusive introduction by Ivo van Hove, the celebrated contemporary director of Miller's works. All five plays were written by Miller within a ten-year period which began with his first Broadway hit, All My Sons, in 1947 which led Brooks Atkinson of the New York Times to state that 'theatre has acquired a genuine new talent.' This was followed in 1949 by his exploration of the American Dream in Death of a Salesman, which went on to win the Tony Award for Best Play and the Pulitzer Prize for Drama. The Crucible followed in 1953, produced during the McCarthy era and becoming a parable of the witch-hunting practices of a government determined to root-out Communists. A View from the Bridge, originally performed in 1955, concerns the lives of longshoremen in the Brooklyn waterfront and has remained one of Miller's most produced plays. Originally presented as a one-act companion piece to A Memory of Two Mondays, both plays explore the dreams and working lives of ordinary Americans in the early decades of the 20th century. Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 1 is a must-have for theatre fans and students alike."--Back cover

'A gentle, lyrical, Chekhovian evocation of the past, with that special unpretentious charm that special works sometimes have.' NEW YORK TIMES At an auto-parts warehouse in Brooklyn, life seems frozen in time: as workers of every age commute in, nothing ever seems to change. Newcomer Bert, only 18 years old, hopes to escape this world, earnestly saving his wages for college... but can such a dream survive his workplace's haze of hopelessness, despondency and alcoholism? A vivid rendering of life under the Great Depression, A Memory of Two Mondays perfectly captures the anxieties and concerns of the 1930s, autobiographically reflecting Miller's own experience as an 18-year-old in this period. This Methuen Drama Student Edition is edited by Stephen Marino, with commentary and notes that explore the play's production history (including excerpts from an interview with director Rob Roznowski) as well as the dramatic, thematic and academic debates that surround it.

'It is Mr. Miller's notion, potentially a great one, that the Baums' story can help tell the story of America itself during that traumatic era.' NEW YORK TIMES When the stock market crashes, the once-financially comfortable Baum family lose everything and are forced to leave their lofty home in Manhattan to live with relatives in Brooklyn: how can their pride, purpose and artistic endeavours survive such a sudden and shocking reversal of fortune? A sweeping, hard-hitting look at the Great Depression of the 1930s, The American Clock is a vaudevillian celebration of American resilience and optimism in the face of national crisis, and was performed on Broadway in 1980. This Methuen Drama Student Edition is edited by Jane K. Dominik, with commentary and notes that explore the play's production history (including excerpts from interviews with designers of the 1980 Broadway production) as well as the dramatic, thematic and academic debates that surround it.

This second volume of Arthur Miller's plays contains four stage plays from the sixties and seventies, taking up the theme of individual responsibility from his earlier work. The volume is introduced by the author.The Price (1968) is 'a beautifully intelligent play about two brothers who are pinned in positions of flight from their own histories that are as fruitless as the movements of the men at Pompeii...For Miller, heroism lies on the scale of a man's sense of the possibility of controlling his own life' (Observer). After the Fall (1964) is 'about how we - nations and individuals - destroy ourselves by denying that this is precisely what we are doing'. (Guardian)Incident at Vichy (1964) is 'a short but intense drama of Occupied France... a kind of suspense thriller with moral overtones, continuously absorbing' (New York Post). The Creation of the World and Other Business is based on the Biblical account and was Miller's first Broadway comedy, premiering in 1972. Also included are two of his screenplays: The Misfits, written for and filmed with Marilyn Monroe, and Playing for Time, televised with Vanessa Redgrave, and which won an Emmy award. 'The greatest American dramatist of our age' Evening Standard