Les histoires de cette auteure explorent les relations humaines et la vie quotidienne avec une objectivité perçante qui évite le jugement. Son style, souvent comparé à celui de Tchekhov, saisit les nuances subtiles de l'existence humaine. À travers des nouvelles magistralement élaborées, elle révèle les complexités de la psyché humaine et des interactions sociales. Son influence littéraire s'étend bien au-delà de son succès commercial, faisant d'elle une figure importante dans le domaine de la fiction courte.
In Where I Live Now, Berlin contemplates the human condition with a compassionate understanding. Berlin's vision is sometimes remorseful, sometimes resigned, always courageous. The elusive nature of happiness is a compelling theme here: the survivors in these stories--many of them society's marginal or excluded people, fighting alcohol or drug addiction, bearing emotional scars--recognize it all too well.
Twenty-three stories from a widely recognized master. Each will resonate, as questions of the human condition always do, in the heart of the reader.Lucia Berlin is widely recognized as a master of the short story. This collection captures distilled moments of crisis or epiphany, placing the protagonists in moments of stress or personal strain, and all told in an almost offhand, matter-of-fact voice.The San Francisco Chronicle wrote, “Most of the stories in this collection are very short and very simple. They are set in the places Berlin knows Chile, Mexico, the Desert Southwest, and California, and they have the casual, straightforward, immediate, and intimate style that distinguishes her work. They are told in a conversational voice and they move with a swift and often lyrical economy. They capture and communicate moments of grace and cast a lovely, lazy light that lasts. Berlin is one of our finest writers and here she is at the height of her powers.”This is a collection for anyone who loves short stories or great writing of any kind.
A Manual for Cleaning Women compiles the best work of the legendary short-story writer Lucia Berlin. With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the Laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.
The New York Times bestseller 'This selection of 43 stories should by all rights see Lucia Berlin as lauded as Jean Rhys or Raymond Carver' Independent The stories in A Manual for Cleaning Women make for one of the most remarkable unsung collections in twentieth-century American fiction. With extraordinary honesty and magnetism, Lucia Berlin invites us into her rich, itinerant life: the drink and the mess and the pain and the beauty and the moments of surprise and of grace. Her voice is uniquely witty, anarchic and compassionate. Celebrated for many years by those in the know, she is about to become - a decade after her death - the writer everyone is talking about. The collection will be introduced by Lydia Davis. 'With Lucia Berlin we are very far away from the parlours of Boston and New York and quite far away, too, from the fiction of manners, unless we are speaking of very bad manners . . . The writer Lucia Berlin most puts me in mind of is the late Richard Yates.' LRB, 1999
The publication of A Manual for Cleaning Women, Lucia Berlin's dazzling collection of short stories, marked the rediscovery of a writer whose talent had gone unremarked by many. The incredible reaction to Lucia's writing - her ability to capture the beauty and ugliness that coexist in everyday lives, the extraordinary honesty and magnetism with which she draws on her own history to breathe life into her characters - included calls for her contribution to American literature to be as celebrated as that of Raymond Carver.Evening in Paradise is a careful selection from the remaining Berlin stories - a jewel box follow-up for Lucia Berlin's hungry fans.'Lucia Berlin's collection of short stories, A Manual for Cleaning Women, deserves all of the posthumous praise its author has received . . . Her work is being compared to Raymond Carver, for her similar oblique, colloquial style; her mordant humour; the recurrence of alcoholics; and her interest in the lives of working-class or marginalised people. But only Carver's very final stories share Berlin's eye for the sudden exaltation in ordinary lives, or her ability to shift the tone of an entire story with an unexpected sentence.' Sarah Churchwell, 'Best Books of 2015', Guardian
"As the case with her fiction, Berlin's pieces here are as faceted as the brightest diamond." --Kristin Iversen, NYLON NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE. Named a Fall Read by Buzzfeed, Vulture, Newsday and HuffPost A compilation of sketches, photographs, and letters, Welcome Home is an essential nonfiction companion to the stories by Lucia Berlin Before Lucia Berlin died, she was working on a book of previously unpublished autobiographical sketches called Welcome Home. The work consisted of more than twenty chapters that started in 1936 in Alaska and ended (prematurely) in 1966 in southern Mexico. In our publication of Welcome Home, her son Jeff Berlin is filling in the gaps with photos and letters from her eventful, romantic, and tragic life. From Alaska to Argentina, Kentucky to Mexico, New York City to Chile, Berlin’s world was wide. And the writing here is, as we’ve come to expect, dazzling. She describes the places she lived and the people she knew with all the style and wit and heart and humor that readers fell in love with in her stories. Combined with letters from and photos of friends and lovers, Welcome Home is an essential nonfiction companion to A Manual for Cleaning Women and Evening in Paradise.
Święta to czas, kiedy dobre rzeczy zdarzają się częściej. Ludzie stają się życzliwsi, a świat trwa w oczekiwaniu na przemianę. Czy i tym razem zdarzy się świąteczny cud? Zbiór opowieści z najróżniejszych zakątków świata łączy ten sam motyw, ale realizacje są zaskakująco nieoczywiste – niektóre pełne nostalgii, przekornych puent, inne prosto spod ciemnej gwiazdki. Srogie, śnieżne zimy mieszają się tutaj ze świętami spędzanymi w gorętszym klimacie. Jest też miejsce na nieoczekiwane prezenty, rozbłyskujące tu i ówdzie światełka i wzruszenie, które niespodziewanie ściska za gardło. Małe świąteczne cuda przeplatają się z chwilami, które na zawsze zapadają w pamięć. Bo do odkrycia magii świąt nie zawsze potrzeba mnóstwa prezentów. Czasem wystarczy samotny spacer. Opowiadania pozwalają odkryć klasyków literatury na nowo – od Hansa Christiana Andersena i Antoniego Czechowa, przez Elizabeth Bowen i Dylana Thomasa, po Tove Jansson i Grace Paley. Choć autorzy posługują się różnymi językami, to łączy ich jedno – patrzą na świat oczami wiecznie zaciekawionego dziecka, pełnego zachwytu i zdziwienia, choć świat wokół zdaje się coraz bardziej szalony.
»Jemand stirbt oder eine Liebe geht zu Ende und nichts wird aufgelöst, man bleibt einfach damit zurück«, hat Lucia Berlin über Anton Tschechow und seine Kunst des Erzählens mit offenem Ausgang einmal gesagt. So wenig wie ihr Vorbild richtet Lucia Berlin über ihre Figuren, so nah wie er zoomt sie das Leben heran: eine erste Liebe, eine Amour fou, scheiternde Ehen, kurze Affären. Immer wieder die Familie, vor allem die sterbende Schwester, aber auch der Kampf mit dem Alkohol, die Einsamkeit, das schlechte Gewissen, vor allem den Söhnen gegenüber. Lucia Berlins unsentimentaler, zugleich von tiefen Gefühlen geprägter Blick auf die Wechselfälle des Lebens und der dunkle, pointierte Humor machen diese Erzählerin so einzigartig und zeitlos modern.
Niemals aufgeben: ein Buch voller zweiter Chancen Alleinerziehende Mütter, Alkoholikerinnen auf Entzug, Haushaltshilfen, Krankenschwestern und Sekretärinnen – Lucia Berlin erzählt von unterprivilegierten Frauen, die um ein besseres Leben kämpfen. In Waschsalons, Cafés und Restaurants, Krankenhäusern und Arztpraxen zeigen sich die kleinen Wunder des Lebens oder entwickeln sich herzzerreißende Tragödien, denen die Autorin mal mit abgründigem Humor, dann wieder voller Melancholie, aber stets mit ergreifender Empathie auf den Grund geht. Unsentimental und unaufgeregt erkundet Lucia Berlin die Warteräume des Lebens und richtet ihren Blick nicht nur auf die schmutzigen Winkel, sondern auch auf die Sonnenstrahlen mitten im prosaischen Alltag.
