Naguib Mahfouz était un écrivain égyptien dont les œuvres explorent souvent de profondes questions sociales et politiques. Son vaste corpus, comprenant des romans, des nouvelles et des scénarios, pénètre au cœur de la société égyptienne et de la psyché humaine. À travers son style distinctif, il saisit les complexités de la vie et la recherche d'identité dans un monde en mutation. Son héritage littéraire résonne au-delà des frontières de l'Égypte, inspirant les lecteurs à contempler des thèmes universels.
Tour à tour mystiques, désabusées, absurdes, nostalgiques, réalistes ou drôles, ces nouvelles, extraites de neuf recueils publiés entre 1962 et 1996, offrent une vision kaléidoscopique de l'Egypte contemporaine.
Le point de vue de l'éditeur La rue d'Al-Nahhasin n'était pas une rue calme ... La harangue des camelots, le marchandage des clients, les invocations des illuminés de passage, les plaisanteries des chalands s'y fondaient en un concert de voix pointues ... Les questions les plus privées en pénétraient les moindres recoins, s'élevaient jusqu'à ses minarets ... Pourtant, une clameur soudaine s'éleva, d'abord lointaine, comme le mugissement des vagues, elle commença à s'enfler, s'amplifier, jusqu'à ressembler à la plainte sibilante du vent ... Elle semblait étrange, insolite, même dans cette rue criante ... C'est ici, dans les rues du Caire, que Naguib Mahfouz, le Zola du Nil, a promené son miroir et capté toutes les facettes d'une société égyptienne en pleine évolution. Naguib Mahfouz est le premier écrivain de langue arabe à avoir reçu, en 1988, le prix Nobel de Littérature.
Mahfouz's trilogy tells the story of a Muslim family in Cairo during Egypt's occupation by British forces in the early and middle years of the 20th century. Naguib Mahfouz's magnificent epic trilogy of colonial Egypt appears here in one volume for the first time. The Nobel Prize-winning writer's masterwork is the engrossing story of a Muslim family in Cairo during Britain's occupation of Egypt in the early decades of the twentieth century. The novels of The Cairo Trilogy trace three generations of the family of tyrannical patriarch al-Sayyid Ahmad Abd al-Jawad, who rules his household with a strict hand while living a secret life of self-indulgence.Palace Walk introduces us to his gentle, oppressed wife, Amina, his cloistered daughters, Aisha and Khadija, and his three sons - the tragic and idealistic Fahmy, the dissolute hedonist Yasin, and the soul-searching intellectual Kamal. Al-Sayyid Ahmad's rebellious children struggle to move beyond his domination in Palace of Desire, as the world around them opens to the currents of modernity and political and domestic turmoil brought by the 1920s.Sugar Street brings Mahfouz's vivid tapestry of an evolving Egypt to a dramatic climax as the ageing patriarch sees one grandson become a Communist, one a Muslim fundamentalist, and one the lover of a powerful politician. Throughout the trilogy, the family's trials mirror those of their turbulent country during the years spanning the two World Wars, as change comes to a society that has resisted it for centuries. Filled with compelling drama, earthy humour and remarkable insight, The Cairo Trilogy is the achievement of a master storyteller
The history of a Cairo alley through several generations. Successive heroes struggle to restore the rights of the people to the trust fund set up by their ancestor Gebelaawi, usurped by embezzlers and tyrants. Mahfouz creates in all its detail a world on the frontier between the real and the imaginary. At a deeper level, the book is an allegory whose heroes relive the lives of Adam and Eve, Cain and Abel, Moses, Jesus and Muhammed. Their appearance in a modern context invites the reader to see them as human beings relevant to the present day, not as remote sacred figures - to the consternation of some traditionalists. Most controversial is the significance of Gebelaawi, the immensely long-lived patriarch. Mahfouz himself has said that his character represents 'not God, but a certain idea of God that men have made', standing for the god of those who forget the absolute transcendence of God affirmed by Islam.
In paperback for the first time, Nobel Prize-winner Naguib Mahfouz's bestselling Palace of Desire will be published to coincide with Doubleday's publication of Sugar Street, the third and final volume of the Cairo Trilogy.
With a writing career spanning some seventy years, Naguib Mahfouz is one of the most recognized writers in the world. His study of philosophy at what is now Cairo University greatly influenced his works, as did his wide readings and his work in the government and in the Cinema Organization. The Wisdom of Naguib Mahfouz, like the earlier Life's Wisdom, is a unique collection of quotations selected from the great author's works, offering philosophical insights on themes such as childhood, youth, love, marriage, war, freedom, death, the supernatural, the afterlife, the soul, immortality, and many other subjects that take us through life's journey.
Sugar Street is the third and concluding volume of the celebrated Cairo Trilogy, which brings the story of Al-Sayid Ahmad and his family up to the middle of the twentieth century.Aging and ill, the family patriarch surveys the world from his housewares's latticed balcony, as his long-suffering wife once did. While his children face middle age, it is through his grandsons that we see a modern Egypt emerging.
The saga of the al-Nagi family, tracing its rise from obscurity to power, to decadence, to rebirth. A mythic Egyptian tale with a soap opera plot by a Nobel Prize winner.
"The Harafish begins with the tale of Ashur al-Nagi, a man who grows from humble beginnings to become a great leader, a legend among his people. Generation after generation, however, Ashur's descendants grow further from his legendary example. They lose touch with their origins as they amass and then squander large fortunes, marry prostitutes when they marry at all, and develop rivalries that end in death. The community's upper class keeps a watchful eye on the descendants of al-Nagi for fear of losing their privileges, but they find no threat of another such as Ashur. Not, that is, until the al-Nagi who, like his noble ancestor, finds his power once again from among "The Harafish," or the common people. Through the strength of their numbers and their passion, the glory of the name of al-Nagi is restored.