The Tooth-Ache, Imagined by Horace Mayhew, and Realized by George Cruikshank. Rear panel priced "1/6 Plain, 3/-Colored" and this being the colored 24 panel, fan-page edition. Description: small, 24mo format, heavy tan paper boards. One of 5,000 Facsimile copies of Horace Mayhew's uncommon 1849 1st edition, (43 panels).
Nouvelle approche, C'est : Un nouvel art de lire... Ou de relire. Un nouvel art d'aborder les textes, même les plus intimidants. Un prince transformé en grenouille, un cercueil de verre où une délicate jeune fille vit en hibernation, un enfant si petit si petit qu'on l'avale par mégarde...dix-sept histoires de surnaturelle-fiction qui commencent très, très mal...
Oliver is an orphan living on the dangerous London streets with no one but himself to rely on. Fleeing from poverty and hardship, he falls in with a criminal street gang who will not let him go, however hard he tries to escape. One of the most swiftly moving and unified of Charles Dickens’s great novels, Oliver Twist is also famous for its re-creation–through the splendidly realized figures of Fagin, Nancy, the Artful Dodger, and the evil Bill Sikes–of the vast London underworld of pickpockets, thieves, prostitutes, and abandoned children. Victorian critics took Dickens to task for rendering this world in such a compelling, believable way, but readers over the last 150 years have delivered an alternative judgment by making this story of the orphaned Oliver Twist one of its author’s most loved works.
The book offers a unique historical perspective on London's sanitation systems, providing valuable insights into urban life and hygiene practices of the past. Its preservation as a modern edition ensures that the text remains accessible and readable, free from the limitations of scanned copies. This work is significant for those interested in history, particularly regarding public health and infrastructure in the Eastern Hemisphere. The effort to reformat and redesign it highlights its importance for both contemporary and future readers.
The Artist as Social Critic in Prints and Drawings from the Fifteenth Century to Picasso
Book by Shikes, Ralph E