Clark Ashton Smith était un poète, sculpteur, peintre et auteur de nouvelles de fantasy, d'horreur et de science-fiction. Il est principalement connu pour ces histoires et son amitié littéraire avec H. P. Lovecraft. Aux côtés de Lovecraft et Robert E. Howard, Smith demeure l'un des contributeurs les plus célèbres du magazine pulp Weird Tales. Son œuvre se caractérise par un langage riche et des mondes imaginatifs.
Featuring four classic fantasy tales, this collection includes "The Colossus of Ylourgne," "The Dark Eidolon," "The Charnel God," and "The Abominations of Yondo." Each story immerses readers in richly imagined worlds filled with dark themes and mythical elements, showcasing the author's signature blend of horror and fantasy. These narratives explore the depths of human ambition, the supernatural, and the consequences of power, making this volume a captivating journey for fans of the genre.
"Back in print in new trade paperback editions, the third of five volumes collecting the complete stories of renowned "weird fiction" author Clark Ashton Smith. He is considered one of the greatest contributors to seminal pulp magazines such as Weird Tales, helped define and shape "weird fiction" in the early twentieth century, alongside contemporaries H. P. Lovecraft and Robert E. Howard, drawing upon his background in poetry to convey an unparalleled richness of imagination and expression in his stories of the bizarre and fantastical. The Collected Fantasies series presents all of Smith's fiction chronologically. Authorized by the author's estate and endorsed by Arkham House, the stories in this series are accompanied by detailed background notes from editors Scott Connors and Ron Hilger, who in preparation for this collection meticulously compared original manuscripts, various typescripts, published editions, and Smith's own notes and letters. Their efforts have resulted in the most definitive and complete collection of the author's work to date. A Vintage from Atlantis is the third of five volumes collecting all of Clark Ashton Smith's tales of fantasy, horror, and science fiction. It includes all of his stories from "The Holiness of Azedarac" (1931) to "The God of the Asteroid" (1932), as well as an introduction by Michael Dirda"-- Provided by publisher
Clark Ashton Smith, a unique American poet of the twentieth century, produced nearly 1000 original poems over more than fifty years. His work showcases exceptional craftsmanship, exploring a wide range of subjects, including cosmic themes about the universe, poignant love poetry, sharp satire, and refined haiku-inspired pieces. Smith's diverse output highlights his remarkable versatility and depth as a poet.
Set in the mythical land of Zothique, this collection showcases Clark Ashton Smith's most intricate fantasy realm, characterized by its lush decadence and eerie allure. The stories, beginning with "The Empire of the Necromancers" and concluding with the short play "The Dead Will Cuckold You," explore themes of strangeness and sexuality, each narrative enriching the tapestry of this evocative world. Smith's masterful storytelling weaves a unique and haunting atmosphere, making Zothique a standout in fantasy literature.
Exploring fantasy, terror, and the supernatural, this collection showcases the poetic brilliance of Clark Ashton Smith, regarded as a significant poet of the twentieth century. The volume, curated by editors S. T. Joshi and David E. Schultz, features a diverse selection of Smith's work, highlighting his exotic language, imaginative depth, and metrical skill. This marks the first major gathering of his poetry in over thirty years, providing readers with a comprehensive look at his unique literary contributions.
From the vampire-haunted alleyways of mediaeval Averoigne to the shining spires of dying Zothique, Clark Ashton Smith weaves his literary sorcery, transporting us to forgotten realms of necromancies and nightmares, lost worlds and other dimensions. In the enchanted regions of Hyperborea, Atlantis and Xiccarph, encounter malefic magic and demonic deeds beneath the last rays of a fading sun . . . For the first time ever, this volume encompasses Clark Ashton Smith's entire career as a writer. Smith virtually stopped writing stories in 1937, for reasons that have never been satisfactorily explained, but he left behind a unique legacy of fantasy fiction which is as imaginative and decadent today as when it was first published in the pulp magazines more than half a century ago.
In sheer daemonic strangeness and fertility of conception, Clark Ashton Smith is perhaps unexcelled by any other writer dead or living. - H.P. LovecraftTable of Contents: "The Magic of Atlantis: An Introduction" (Editor)Poseidonis * Editor's Note * "The Muse of Atlantis" (prose poem) * "The Last Incantation" * "The Death of Malygris" * "Tolometh" (poem) * "The Double Shadow" * "A Voyage to Sfanomoë" * "A Vintage from Atlantis" * "Atlantis: a poem" (poem)Lemuria * Editor's Note * In Lemuria (poem) * An Offering to the Moon * The Uncharted Isle * Lemurienne (poem)Ptolemides * Editor's Note * The Epiphany of DeathOther Realms * Editor's Note * In Cocaigne (prose poem) * Symposium of the Gorgon * The Venus of Azombeii * The Isle of Saturn (poem) * The Root of Ampoi * The Invisible City * Amithaine (poem) * The Willow Landscape * The Shadows (prose poem)Cover art by Gervasio Gallardo
This collection features four captivating tales by Clark Ashton Smith, each exploring themes of magic and the supernatural. "The Empire of the Necromancers" delves into dark sorcery, while "The Enchantress of Sylaire" presents a mesmerizing tale of allure and enchantment. "The Invisible City" offers a glimpse into a mysterious realm, and "The Mother of Toads" intertwines horror with folklore. Together, these stories showcase Smith's unique blend of fantasy and horror, highlighting his imaginative storytelling.
