Oliver Sacks Livres

Oliver Sacks décrit dans ce livre les affections les plus bizarres, celles qui atteignent un homme non seulement dans son corps, mais dans sa personnalité la plus intime et dans l'image qu'il a de lui même

Oliver Sacks died in August 2015 at his home in Greenwich Village, surrounded by his close friends and family. He was 82. He spent his final days doing what he loved: playing the piano, swimming, enjoying smoked salmon - and writing. As Dr Sacks looked back over his long, adventurous life his final thoughts were of gratitude. In a series of remarkable, beautifully written and uplifting meditations, in Gratitude Dr Sacks reflects on and gives thanks for a life well lived, and expresses his thoughts on growing old, facing terminal cancer and reaching the end. I cannot pretend I am without fear. But my predominant feeling is one of gratitude. I have loved and been loved; I have been given much and I have given something in return; I have read and travelled and thought and written. I have had an intercourse with the world, the special intercourse of writers and readers. Above all, I have been a sentient being, a thinking animal, on this beautiful planet, and that in itself has been an enormous privilege and adventure.

When Oliver Sacks was twelve years old, a perceptive schoolmaster wrote in his report: “Sacks will go far, if he does not go too far.” It is now abundantly clear that Sacks has never stopped going. From its opening pages on his youthful obsession with motorcycles and speed, On the Move is infused with his restless energy. As he recounts his experiences as a young neurologist in the early 1960s, first in California, where he struggled with drug addiction, and then in New York, where he discovered a long-forgotten illness in the back wards of a chronic hospital, we see how his engagement with patients comes to define his life. With unbridled honesty and humor, Sacks shows us that the same energy that drives his physical passions—weight lifting and swimming—also drives his cerebral passions. He writes about his love affairs, both romantic and intellectual; his guilt over leaving his family to come to America; his bond with his schizophrenic brother; and the writers and scientists—Thom Gunn, A. R. Luria, W. H. Auden, Gerald M. Edelman, Francis Crick—who influenced him. On the Move is the story of a brilliantly unconventional physician and writer—and of the man who has illuminated the many ways that the brain makes us human.

In his books An Anthropologist on Mars and The Man Who Mistook His Wife for a Hat, Oliver Sacks details the lives of patients isolated by neurological disorders, shedding light on our common humanity and the ways in which we perceive the world around us. Now he looks at the effects of physical isolation in The Island of the Colorblind. On this journey, he carried with him the intellectual curiosity, kind understanding, and unique vision he has so consistently demonstrated. Drawn to the Micronesian island of Pingelap by reports of a community of people born totally colorblind, Dr. Sacks set up a clinic in a one-room dispensary. There he listened to patients describe their colorless world in terms rich with pattern and tone, luminance and shadow. Then, in Guam, he investigated a puzzling neurodegenerative paralysis, making housecalls amid crowing cockerels, cycad jungles, and the remains of a colonial culture. The experience afforded Sacks an opportunity to elaborate on such personal passions as botany and history and to explore the meaning of islands, the dissemination of species, the birth of disease, and the nature of deep geologic time.

As with The Man Who Mistook His Wife for a Hat, Oliver Sacks uses case studies to illustrate the myriad ways in which neurological conditions can affect our sense of self, our experience of the world, and how we relate to those around us. Writing with his trademark blend of scientific rigour and human compassion, he describes patients such as the colour-blind painter or the surgeon with compulsive tics that disappear in the operating theatre; patients for whom disorientation and alienation - but also adaptation - are inescapable facts of life.

The captivating subject of Oliver Sacks' An Anthropologist on Mars gives her personal account of living with autism, and tells how her extraordinary gift of animal empathy has transformed her world. of photos & line drawings.

Temple Grandin, Ph.D., is a gifted animal scientist who has designed one-third of all the livestock-handling facilities in the United States. She also lectures widely on autism--because Temple Grandin is autistic, a woman who thinks, feels, and experiences the world in ways that are incomprehensible to the rest of us. In this unprecedented book, Grandin delivers a report from the country of autism. Writing from the dual perspectivies of a scientist and an autistic person, she tells us how that country is experienced by its inhabitants and how she managed to breach its boundaries to function in the outside world. What emerges in Thinking in Pictures is the document of an extraordinary human being, one who, in gracefully and lucidly bridging the gulf between her condition and our own, sheds light on the riddle of our common identity.

By the author of Seeing Voices', this is a narrative about the awakening of 20 patients from a zombie-like state they had suffered for over 40 years. A new drug meant the sleeping sickness disease was now treatable. Sacks tells the history, offers his own observations and the patients' reactions.

Oliver Sacks has been described (by The New York Times Book Review ) as "one of the great clinical writers of the 20th century," and his books, including the medical classics Migraine and Awakenings , have been widely praised by critics from W. H. Auden to Harold Pinter to Doris Lessing. In his last book, The Man Who Mistook His Wife For A Hat , Dr. Sacks undertook a fascinating journey into the world of the neurologically impaired, an exploration that Noel Perrin in the Chicago Sun-Times called "wise, compassionate, and very literate . . . the kind that restore(s) one's faith in humanity." Now, with Seeing Voices , Dr. Sacks takes us into the world of the deaf, a world he explores with the same passion and insight that have illuminated other human conditions for his readers everywhere. Seeing Voices is a journey: a journey first into the history of deaf people, the (often outrageous) ways in which they were seen and treated in the past, and the new understanding that started to dawn in the eighteenth century; and a journey into the present situation of the deaf—a situation which, all too often, is still one of misunderstanding and mistreatment. Dr. Sacks writes of how he has come to see deaf people "in a new light, as a people, with a distinctive language, sensibility, and culture of their own." Indeed, it is only in the last ten years that the extraordinary and beautiful visual-gestural language of the deaf—Sign—has been fully recognized as a language, as linguistically complete, rich, and expressive as any spoken language, a language with its own distinctive basis in the brain. The one overwhelming peril for the deaf is to be kept from achieving language competence of any kind, to be denied access to both Sign and speech, and that tragedy is completely preventable by early exposure to Sign. Sign is also social and cultural. It lies at the heart of the many manifestions of "deaf consciousness" in the past twenty years, among them the remarkable uprising of the deaf students at Gallaudet University in 1988. The revolt gained international attention and showed the world decisively that deaf people have "come of age" and no longer want to be treated as "disabled." Dr. Sacks gives a vivid personal account of the revolt and ponders its implications for the future. All his encounters in the course of this exhilarating journey raise issues of surprising depth and richness which, though of paramount interest to deaf people and all concerned with them, also extend powerfully to the human condition in general.