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Vk Y

    L'œuvre de VKY explore les questions pressantes de race, d'identité et de brutalité, partageant ses histoires les plus intimes. Elle examine l'expérience d'être Noir en Europe, utilisant sa voix littéraire pour étudier en profondeur le postcolonialisme, notamment à travers des formes d'art telles que le rap français. Son écriture aborde également l'étude de la 'Blackness' dans le monde arabe et les traumatismes psychologiques des jeunes garçons noirs dans les ghettos européens. VKY écrit en français et en anglais, et sa perspective unique enrichit le paysage littéraire.

    My Generation Was A Social Experimentation- On Race Fakers And Cultural Appropriation
    Levantine Blackness In The Colonial Prism: On Race And Loss of Identity
    Thierry Paulin A Black Tragedy
    Africa, Middle East and the Caribbean: On Multiracial Whiteness Throughout History
    Lisboa
    How The Left Destroyed The Western Negro
    • How The Left Destroyed The Western Negro

      • 108pages
      • 4 heures de lecture
      5,0(2)Évaluer

      In this political essay, French-Belgian author and historian VKY (Victoria Kabeya) questions the sincerity of the political leftist party regarding their exploitation of black minorities in the Western sphere. Since 2014, with the emergence of protests against police brutality and racism, the great Occident has been shattered from within by inner forces which used the marketing of black pain and rage to nurture destruction. These protests have also revealed the treason of the new generation of pro-Black activists who have now managed to insert the fight for Black rights within the spectrum of mercantilism and thus, aborted the social and spiritual work promoted by the former Black Panthers, among many others. In a global sphere where sincerity and sovereignty are threatened, the political left will have no other choice but to face the "black monster" they have created over the years. This comparative essay focuses on the state of the African-American and the French African communities.

      How The Left Destroyed The Western Negro
    • Lisboa is the latest English publication by author VKY (Victoria Kabeya) under Editions Canaan. Written during the 2020 lockdown, the author having found refuge in Portugal, it is a personal and autobiographical work, but also a social critique and observation about the desillusion of the hidden Lisbon. The book is the testimony of an outsider who witnesses the social and racial exclusion of the Afro-Portuguese community in Portugal.

      Lisboa
    • Thierry Paulin A Black Tragedy

      • 176pages
      • 7 heures de lecture

      Thierry Paulin A Black Tragedy centers around the tragic life of a Parisian and Martinican serial killer who murdered more than twenty old ladies between 1984 and 1987 in Paris.

      Thierry Paulin A Black Tragedy
    • History book by author and historian VKY, formerly known as Victoria Kabeya, regarding the place of the indigenous black populations from the Levant and their consequences of their experience under the endless foreign colonial dominant entities.

      Levantine Blackness In The Colonial Prism: On Race And Loss of Identity
    • In Africa In The Mediterranean, VKY explores the deep origins of the Black minorities found in Avato, Grecce and the Afro-Turks. Though described as the descendants of African Zanj slaves brought in the area by the Ottomans, they are the remnants of an ancient Mediterranean race which has been present in the area since the Late Bronze Age and whose roots could be found in Ancient Egypt and Canaan. The study leads the reader to discover unknown Black remnants in Albania, Montenegro, Georgia, Turkey, Greece and Cyprus.

      Africa in the Mediterranean On Afro-Turks and Black Greeks: The Last Remnants
    • Short political note on the manipulative French African organizations and their ability to play with the emotions of their people to obtain power.

      On Marketing Black Rage
    • Though celebrated for his creativity, performances and voice, Michael Jackson, through the perfection of the art of video, was one of the very first Black American artists to have used television and the screen to elevate Black bodies. Plagued by the false accusations of child molestation and attacked for the change of his skin tone, the man left a great impact when it comes to the fight for the reappropriation of the Black American body in arts. In this very short note, VKY invites the readers to rediscover a side of Jackson which has always been unfairly overlooked.

      Michael Jackson On Black Space and Black Bodies 1987-1997 A Video Analysis