The crime serials by French filmmaker Louis Feuillade provide a unique point of departure for film studies, presenting modes rarely examined within early cinematic paradigms. Vicki Callahan addresses the crime serials of Louis Feuillade from a feminist perspective
Focusing on the intersection of gender and digital technologies, this work features insights from diverse women, nonbinary, and genderqueer practitioners in new media. It examines how emerging platforms like virtual and augmented reality reflect traditional media's biases while also creating new avenues for inclusive storytelling. Authors Sarah Atkinson and Vicki Callahan highlight the rise of gender-diverse voices and their significant, yet often overlooked, contributions to the field. The book serves as an essential archive that challenges biased narratives in media history.