Ernst Haas
- 128pages
- 5 heures de lecture






Ernst Haas' photographs, chosen for their evocation of color and light, opposite poetry from the ancient to the Coleridge, Thoreau, Dickinson, Plato, Milton, Sandburg, Dante, etc. 108 pages; 40 full-page color photographic plates, 4 plates printed on transparent acetate; 9.5 x 12 inches.
Focusing on the International Labor Organization, this influential work presents a comprehensive analysis of neo-functionalism, a theory of transnational integration. It systematically explores the dynamics of global institutions and has become a classic reference in comparative politics and international relations, particularly in the context of European integration. Originally published in 1964, the book has gained renewed relevance post-Cold War, addressing contemporary issues in global governance and international relations, complemented by a new introduction from notable scholars.
Ernst Haas is one of the most renowned photographers of the twentieth century, celebrated for his vibrant color photography that captivated the illustrated press for decades. His work, featured in influential magazines across Europe and America, led to a plethora of popular books. Despite this acclaim, recent critics have labeled his color photography as "overly commercial" and lacking seriousness, which has impacted his reputation compared to younger contemporaries like Eggleston, Shore, and Meyerowitz. However, a hidden facet of Haas's artistry reveals a more radical sensibility. Alongside his commissioned work, he created personal images that are edgy, complex, and ambiguous—far removed from the accessible style that garnered him fame. These unprinted and unexhibited works, believed to be misunderstood, showcase a depth rivaling that of his peers. Born in Vienna in 1921, Haas began photography post-war, gaining attention for his work on returning POWs. He declined a staff position at Life Magazine to maintain his independence and joined Magnum in 1949, forming connections with notable photographers. His experimentation with color positioned him as a leading figure in the 1950s, culminating in a solo exhibition at MoMA in 1962. Haas published numerous books, including the highly successful "The Creation." He received the Hasselblad award in 1986, the year he passed away.
Focusing on the European Coal and Steel Community as a pivotal case study, this classic work explores the dynamics of community formation beyond national borders. Ernst Haas examines how the ECSC influenced political loyalties and expectations, positioning it as a foundational example for understanding the pre-history of the European Union. Originally published in 1958, this seminal volume is essential for those interested in the evolution of European integration and the mechanisms that foster collaboration among nations.
A collection of black & white photographs showing life in the US during the decade of the 1950's.
Chapter Contents for the "Grand Canyon" include, Wilderness of Stone, The Drama of a Single Day, Forces that Made the Canyon Grand, Exploring the Fretful River, Riding the Rapids, and more!
Color photographs depict the beauty of the elements, the seasons, plants, and animals
The book is a facsimile reprint, which means it reproduces the original work as closely as possible. Readers should be aware that it may contain imperfections, including marks, notations, marginalia, and flawed pages, reflecting its historical context and authenticity.