Focusing on the innovative projects of a leading designer since the mid-1990s, this follow-up monograph highlights the evolution of his work and creative vision. It builds on the success of previous volumes, offering insights into significant design contributions and showcasing a range of completed projects that underscore his impact on the field.
Printed brochures, catalogs, and multi-page documents form the bedrock of many graphic designers' daily practice. Most printed literature is todays hot communication document is tomorrow's landfill. But the best brochures, catalogs and documents have a permanence and organic completeness that has become essential in this ephemeral, and increasingly electronic, world of instant communications. This book features the best of contemporary printed literature design. It offers a critical survey of current work by leading practitioners from the U.S., Europe and the Far East. Arranged in a designer-by-designer format and accompanied by interviews, this book offers a complete and informative picture of this popular subject.
An insider guide to the complexities of graphic design practice and thinking. It offers advice on the fundamental topics and issues that face designers in their daily lives, looking at everything from kerning to presenting; from budgeting to dealing with rejection; from annual reports to interface design.
The album cover is a subject of perennial interest among graphic designers. Sleeve design remains a popular subject for college projects, and many young working designers aspire to design for the music industry. Revealing state-of-the-art contemporary music graphics, Cover Art is packed with more than 400 examples of sleeve art. As well as CD and album covers, the insides of CD booklets and the backs of vinyl sleeves are shown.The book opens with an in-depth essay reviewing the current scene, then focuses on the work of 30 international designers/labels who are the most influential in the field, making this a must-have for designers and students, as well as music industry professionals and fans.
This guidebook addresses the concerns of young designers who want to earn a living by doing expressive and meaningful work, but want to avoid becoming a hired drone working on soulless projects. It offers straight-talking advice on how to establish your design career and practical suggestions for running a successful business.
It's a rare graphic designer who hasn't contemplated setting up his or her own studio. It's part of a designer's DNA to want to own and run a studio. Many do, while others spend a lifetime wondering if they should. But where does the ambitious designer go for advice and guidance? Who better than the founders of some of the best design studios in the world? Tony Brook and Adrian Shaughnessy conduct penetrating interviews with a group of visionary graphic designers who have formed and run landmark international design studios. In a series of candid and revealing interviews, manyof the leading figures in contemporary graphic design reveal the secrets behind creating a vibrant studio culture.
This book is a near facsimile of the one-off, leather-bound ?sketchbook? that Lance Wyman made to catalogue his design process for the creation of a logo and graphic identity for the 1976 USA Bicentennial celebrations to mark the creation of the USA as an independent republic.0It?s a record of the creative process that Wyman went through to arrive at a refined and workable solution. It?s rare for designers to reveal so much of their inner workings, and even rarer for it to be documented with this degree of thoroughness. But Lance Wyman is no ordinary designer.0The work was done in Mexico in 1970 ? Wyman had gone there to design the graphics for the Mexico 68 Olympics. But in 1971 he returned to the USA, and to a design scene that was markedly different from the one he had left. For a start, he had acquired a stellar reputation. 0In an opening interview with Adrian Shaunghnessy, Wyman explains the genesis of the project, the reasons why it was never implemented and discusses the importance of process in any designer?s work.
Revealing the state of the art of contemporary music graphics, Cover Art By: is packed with over 400 examples of contemporary album and CD covers as well as CD inserts and vinyl sleeve backs. Written by an acknowledged expert on music graphics, the book opens with an in-depth essay reviewing the current scene, then focuses on the work of 30 international designers or labels. Contact details for important record labels are included, and interviews with designers reveal what it's like to work for music clients.
