Antonia Lloyd-Jones Livres

In the Polish city of Gdansk, narrator Pawel recounts his driving lessons from the early 1990s, shortly after the fall of communism.

Un dimanche matin, au milieu d'une session de thérapie collective organisée dans un ancien monastère de Varsovie, l'un des participants est retrouvé mort, une broche à rôtir plantée dans l'oeil. L'enquête est prise en main par le procureur Teodore Szacki. Las de la routine bureaucratique et de son mariage sans relief, Szacki veut du changement. Et cette affaire dépassera ses espérances... A commencer par la thérapie collective en question. Cette méthode dite de la "constellation familiale" semble avoir un pouvoir effrayant. L'un des participants à la session se serait-il laissé absorber par son rôle au point de commettre un meurtre ? Ou faut-il chercher plus loin, avant même la chute du communisme ?

This is a searing portrait of the human devastation wrought by the Bosnian wars, and their aftermath - told through the stories of those who are left alive and looking for their families and their remains - by a young writer who has all the makings of a Kapuscinski or a Gourevitch.This book is suitable for readers of Philip Gourevitch, Janine Di Giovanni, Timothy Garton Ash, Slavenka Drakulic, Fergal Keane, Michael Ignatieff, Anna Funder, Misha Glenny.During four years of war in Bosnia, over 100,000 people lost their lives. But it was months, even years, before the mass graves started to yield up their dead and the process of identification, burial and mourning could begin. For many, the waiting, the searching and the suspended grieving still continues.Here we travel through the ravaged post-war landscape in the company of a few of those who survived, as they visit the scenes of their a hall where the clothing of victims is displayed; an underground cave with its pale jumble of bones; a camp for homeless refugees; a city now abandoned to the ghosts of painful memories; and a funeral service where a family finally says goodbye. These encounters are snapshots and memorials, capturing a jagged moment in a community's history as it is still flinching from its raw and recent past, not quite yet able to believe in a possibility of a peaceful future.