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Stacey D'Erasmo

    Stacey D’Erasmo est une romancière dont les œuvres sont célébrées pour leur profondeur littéraire et leur voix distinctive. Son écriture explore les complexités de l'expérience humaine, offrant aux lecteurs des récits captivants et des explorations perspicaces. Ses contributions ont suscité une reconnaissance significative pour leur mérite artistique et leur impact. Elle continue de façonner le paysage littéraire en tant que professeure adjointe d'écriture.

    The Long Run
    Wonderland
    A Seahorse Year
    Sky Below
    • Sky Below

      • 288pages
      • 11 heures de lecture
      3,2(15)Évaluer

      The narrative follows a contemporary man's transformation, exploring themes of identity and personal growth. With a style reminiscent of acclaimed authors Carol Shields and A. S. Byatt, the story delves into the complexities of modern life, offering a rich and engaging exploration of the protagonist's journey. This luminous tale promises to captivate readers with its depth and insight into the human experience.

      Sky Below
    • A Seahorse Year

      • 370pages
      • 13 heures de lecture
      3,5(327)Évaluer

      The story revolves around a modern family's struggle as they confront the disappearance of their troubled teenage son, Christopher. As his extended family unites in a frantic search, they are forced to face deeper issues and challenges that test their relationships and self-perceptions. The narrative explores themes of familial bonds, personal crises, and the complexities of understanding one another in times of distress.

      A Seahorse Year
    • Wonderland

      • 258pages
      • 10 heures de lecture
      3,0(32)Évaluer

      Recognized as an NPR Best Book of 2014, this work delves into captivating themes and offers a unique perspective that resonates with readers. It combines rich storytelling with insightful commentary, engaging both the mind and the heart. The narrative unfolds through well-developed characters, each contributing to the intricate tapestry of the plot. With its thought-provoking elements and emotional depth, this book stands out as a significant literary achievement of its time.

      Wonderland
    • How do I keep doing this—making art? Stacey D’Erasmo had been writing for twenty years and had published three novels when she asked herself this question. She was past the rush of her first books and wondering what to expect—how to stay alive in her vocation—in the decades ahead. She began to interview older artists she admired to find out how they’d done it. She talked to Valda Setterfield about her sixty-year career that took her from the Merce Cunningham Dance Company to theatrical collaborations with her husband to roles in films. She talked to Samuel Delany about his vast oeuvre of books in many genres. She talked to Amy Sillman about working between painting and other media and between abstraction and figuration. She talked to landscape architect Darrel Morrison, composer Tania Léon, actress Blair Brown, and musician Steve Earle, and started to see connections between them and to artists across time: Colette, David Bowie, Ruth Asawa. She found insights in own experience, about what has driven and thwarted and shaped her as a writer. Instead of easy answers or a road map, The Long Run offers one practitioner’s conversations, anecdotes, confidences, and observations about sustaining a creative life. Along the way, it radically redefines artistic success, shifting the focus from novelty and output and external recognition toward freedom, fluidity, resistance, community, and survival.

      The Long Run