Gothic Cinema
- 280pages
- 10 heures de lecture
Explores the long history of Gothic cinema, from its transitional origins in phantasmagoria shows and the first 'trick' films to its postmodern fragmentation in the Gothic pastiches of Tim Burton
Xavier Aldana Reyes Livres
Xavier est Lecteur en Littérature Anglaise et Cinéma à la Manchester Metropolitan University et membre fondateur du Manchester Centre for Gothic Studies. Son travail explore l'analyse complexe des œuvres littéraires et cinématographiques, en examinant leurs profondeurs thématiques et leurs nuances stylistiques. Par ses recherches universitaires, il contribue à une compréhension plus riche des genres et de leur évolution. Son expertise dans les études gothiques éclaire les aspects plus sombres de la psyché humaine et des constructions sociales tels qu'ils sont dépeints dans le récit.
Focusing on the intersection of affect theory, horror cinema, and performance studies, this book offers a critical examination of moving images depicting mutilation and how audiences respond to them. It explores the emotional impacts these representations have, enriching the discourse surrounding horror films and their reception. By integrating these three fields, the work aims to provide new insights into the complexities of viewer engagement with graphic content in cinema.
Exploring the evolution of the Gothic mode in Spain, this book delves into significant literary periods, including Romanticism and the booms of the 1970s and 2000s. Through illustrative case studies, Aldana Reyes reveals how the Gothic has continuously influenced Spanish literature and cinema since the late-eighteenth century. The author argues that creators embraced the Gothic as a liberating and transgressive form of expression, showcasing its enduring relevance and adaptability within the cultural landscape.