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Anthony Guy Patricia

    Queering the Shakespeare Film
    The Venetian Hills
    Flanders
    • Flanders

      • 352pages
      • 13 heures de lecture
      4,0(3)Évaluer

      "A harrowing and beautiful novel, demonstrating — again — that Patricia Anthony is one of our great writers." — Publishers Weekly In this gritty look at World War I's trench warfare, a young American sharpshooter ventures into no man's land each night to be ready by daybreak for the grim business of slaying record numbers of enemies. But Travis Lee Stanhope, a Texan serving with an English unit, is haunted by ghosts of the men he's killed as well as those of his fallen comrades. As he hovers on the brink of a transcendent experience, Travis gradually realizes that although he is surrounded by death, his true mission is related to life. A New York Times and American Library Association Notable Book, this tale was acclaimed by Booklist as "a haunting, sometimes almost hallucinatory, yet surprising war novel" and by Kirkus Reviews as "mesmerizing … highly textured and brimming with insight." "Flanders ranks close to All Quiet on the Western Front in its impact." — San Francisco Chronicle "Anthony's subtle and innovative storytelling reaches a new plane in her latest novel, a foray into magical realism that contrasts the waking hell of war with the fragile peace of eternity." — Library Journal

      Flanders
    • Queering the Shakespeare Film

      • 320pages
      • 12 heures de lecture

      A range of mainstream and independent English language film productions of A Midsummer Night's Dream, Romeo and Juliet, Othello, Twelfth Night, and The Merchant of Venice take centre stage in Queering the Shakespeare Film. This study critiques the various representations of the queer – broadly understood as that which is at odds with what has been deemed to be the normal, the legitimate, and the dominant, particularly – but not exclusively – as regards sexual matters, in the Shakespeare film. The movies chosen for analysis correspond deliberately with those Shakespeare plays that, as written texts, have been subjected to a great deal of productive study in a queer context since the beginnings of queer theory in the early 1990s. Thus the book extends the ongoing queer discussion of these written texts to their counterpart cinematic texts. Queering the Shakespeare Film is a much-needed alternative and complementary critical history of the Shakespeare film genre.

      Queering the Shakespeare Film