David Worrall Livres

Set in a climate of intense surveillance and regulation between 1790 and 1820, this work explores the rise of ultra-radical artisans influenced by Thomas Spence's revolutionary ideas advocating for corporate land ownership and government overthrow. The Spenceans emerged as a significant political force, with notable figures like William Blake, Jeremy Bentham, and Percy Shelley being monitored for their suspected affiliations. The book delves into the intersection of radical thought and state control during this tumultuous period in England's history.

The book explores the principles and innovations of contemporary design practices, focusing on their impact on various industries and society. It delves into the integration of sustainability, technology, and user-centered approaches, showcasing case studies and interviews with leading designers. By examining the evolution of design thinking, the text highlights how modern design addresses complex challenges and fosters creativity in a rapidly changing world. The insights aim to inspire both professionals and enthusiasts in the field of design.

Exploring the nature of William Blake's 'visions,' this inquiry delves into their potential roots in perceptual phenomena, such as visual and auditory hallucinations linked to migraine aura and synesthesia. Celebrated as a 'visionary,' Blake's experiences have often been overlooked. Worrall applies neuroscience to analyze Blake's art and writings, challenging the prevailing narratives surrounding his mental health and the notion of insanity, while emphasizing the absence of evidence for psychosis.

Focusing on the period from 1750 to 1840, this work examines how foreign cultures and ethnicities were represented on the British stage, despite the monopoly held by Covent Garden and Dury Lane under the 1737 Licensing Act. It posits that these performances served as a platform for a plebeian Enlightenment, challenging traditional narratives and showcasing the diverse influences on British theatre during this era.

Worrall presents an innovative transposition of social assemblage theory into eighteenth-century British theatre and performance history.