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Macarena Gomez-Barris

    Macarena Gómez-Barris est une auteure dont l'œuvre aborde en profondeur la culture et la violence d'État. Son écriture explore les manières complexes dont la mémoire est préservée et son impact profond sur la société. En tant qu'éducatrice et chercheuse, elle examine de manière critique les phénomènes sociaux et culturels. Ses textes offrent un aperçu profond de l'interaction complexe entre pouvoir, mémoire et identité.

    The Extractive Zone
    Beyond the Pink Tide
    • Beyond the Pink Tide

      • 160pages
      • 6 heures de lecture

      "Beyond the Pink Tide considers a wave of artistic and curatorial efforts and social movements that refuse national borders in an effort to think hemispherically. In modeling a transnational American Studies, the book considers recent art and cultural production that engage politics in the Americas. In the late 1990s to the early 2000s, Latin America experienced a shift toward left-leaning and progressive politics that challenged US neoliberalism and hegemony. The media dubbed this turn the "pink tide," and by 2009, leftist governments were in power in Argentina, Bolivia, Brazil, Chile, Ecuador, and Venezuela. But by 2010, this tide began to turn as several governments failed to implement their progressive agendas, leaving the structures of capitalism intact. Beyond the Pink Tide explores new ways of understanding social and political transformation, particularly through the everyday practices of queer communities, anticapitalist movements, decolonization, feminisms, and the arts. Macarena Gómez-Barris shows readers the possibilities beyond the limited frame of state-centered politics to achieve concrete social transformation beginning at the level of artistic and social imagination--in Latin America, the United States, and the world."--Provided by publisher

      Beyond the Pink Tide
    • The Extractive Zone

      • 208pages
      • 8 heures de lecture

      Extending decolonial theory into greater conversation with race, sexuality, and Indigenous studies, Macarena Gomez-Barris traces the political, aesthetic, and performative practices of South American indigenous activists, intellectuals, and artists that emerge in opposition to the ruinous effects of extractive capital.

      The Extractive Zone