Bengal, 1932. The IRA - the Indian Republican Army - mounts a daring terror attack against a symbol of the British Empire: the European Club. A terrorist dies. And so does an innocent woman, known only as Mrs. Sullivan.
Philip Thomas Tucker Livres
Thomas Deane Tucker propose des analyses déconstructives de l'art et de la philosophie. Son travail explore comment les œuvres d'art peuvent servir d'outils pour la pensée critique et pour remettre en question les normes artistiques traditionnelles. L'approche de Tucker offre aux lecteurs une nouvelle perspective sur la relation entre l'art et les courants intellectuels.
From cinema’s earliest days, walking and filmmaking have been intrinsically linked. Technologically, culturally and aesthetically, the pioneers of cinema were not only interested in using the camera to scientifically study ambulatory motion, but were also keen to capture the speed and mobile culture of late 19th-century urban life. Photographers such as Felix Nadar took their cameras into the Parisian streets and boulevards as mechanised flâneurs, ushering us into the age of the ‘mobilised virtual gaze’. But if photography could only embalm modernity in an instant of time, the cinema brought these instants to life again. From Muybridge and Marey’s photographic studies of motion to Charlie Chaplin’s character ‘The Tramp’, and from the Steadicam to the police procedural, Thomas Deane Tucker explores the intertwined relationship between cinema and walking from its very first steps – breaking new ground in motion studies and providing a bold new perspective on film history.
Within the annals of Alamo and Texas Revolutionary historiography, the important contributions of the Irish in winning the struggle against Mexico and establishing a new republic are noticeably absent. číst celé