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Jane Stadler

    Jane Stadler explore l'intersection du cinéma narratif, de l'éthique et de l'expérience intersubjective. Son travail se penche sur la manière dont la narration cinématographique façonne nos perceptions de nous-mêmes et des autres. Elle met l'accent sur les implications éthiques des techniques cinématographiques et sur la manière dont elles peuvent influencer notre compréhension du monde. Stadler contribue à une appréciation plus profonde du pouvoir du cinéma en tant que médium.

    Imagined Landscapes
    • Imagined Landscapes

      • 238pages
      • 9 heures de lecture
      5,0(1)Évaluer

      Imagined Landscapes teams geocritical analysis with digital visualization techniques to map and interrogate films, novels, and plays in which space and place figure prominently. Drawing upon A Cultural Atlas of Australia, a database-driven interactive digital map that can be used to identify patterns of representation in Australia’s cultural landscape, the book presents an integrated perspective on the translation of space across narrative forms and pioneers new ways of seeing and understanding landscape. It offers fresh insights on cultural topography and spatial history by examining the technical and conceptual challenges of georeferencing fictional and fictionalized places in narratives. Among the items discussed are Wake in Fright, a novel by Kenneth Cook, adapted iconically to the screen and recently onto the stage; the Australian North as a mythic space; spatial and temporal narrative shifts in retellings of the story of Alexander Pearce, a convict who gained notoriety for resorting to cannibalism after escaping from a remote Tasmanian penal colony; travel narratives and road movies set in Western Australia; and the challenges and spatial politics of mapping spaces for which there are no coordinates.

      Imagined Landscapes