Auditioning presents a high-stakes environment filled with tension and unpredictability for both performers and casting directors. While auditionees often grapple with nerves and a lack of preparation, those behind the desk face immense pressure to find standout talent. This exploration delves into the complexities and emotional turmoil of the audition process, highlighting its flaws and necessity in the pursuit of success in the performing arts.
Previous edition: published as Popular singing. 2006.
Starting from the idea that the main hindrance to a great acting performance is self-consciousness on the part of the performer, My Character Wouldn't do That examines the ways in which some of our traditional and contemporary approaches to acting put us into a 'mind space' that can encourage self-consciousness. Examining evidence from a range of contemporary cognitive sciences, the book approaches acting and actor training in an entirely different way.Based on the latest research into brain activity and human behaviour, the book covers areas that standard acting texts do (character, emotion, memory, imagination, making active choices) but reconceives each of these elements through the lens of that contemporary research.The book is the first to look closely at what contemporary research tells us · personality/character and how environment shapes us· how memory works and how actors can work with (rather than against) their memory in preparing for performance· why actors must use different kinds of brain states and imagination in the various stages of preparation, rehearsal, and performance· how actors can frame active choices in a way that refocuses the source of thought and action· why actors should distinguish the stages of preparation and the kinds of thinking / imagination that works at each stage
Mastering the Shakespeare Audition is a handbook for actors of all ages and experience, whether auditioning for a professional role or a place in drama school. Many actors have no idea where to start in preparing a Shakespeare audition speech. Yet many auditions – professional or drama school – require a well-delivered classical monologue. Mastering the Shakespeare Audition shows performers how to focus rehearsal time and spend it well. Starting with how to choose a piece that plays to each actor's particular strength, casting director Donna Soto-Morettini provides a series of timed exercises and rehearsal techniques that will allow any actor to feel confident and truly prepared for performance – in sessions totalling just 35 hours. Offering progressive and clearly marked exercises detailing the time necessary both to read and complete the work, Mastering the Shakespeare Audition also features extended exercises for those with more time to spare, allowing a deeper understanding of the ideas and skills involved.