Sean Stuart O'Connor Livres

Adultery, alcoholism, drugs and murder on the suburban streets of Bournemouth.

The story of the brutal murders committed in 1946 by wartime RAF pilot and playboy Neville Heath.

In the spirit of Charlie Brooker's Black Mirror and The Outer Limits comes Weeping Season by Sean O'Connor -A unsettling, suspenseful chiller that leaves you gasping for breath...

Borley Rectory is perhaps the definition of an old haunt, still exerting an extraordinary grip on the popular imagination… Balanced, surprising and strangely moving’ Mark Gatiss In 1928, Eric and Mabel Smith took over a lonely parish on the northern border of Essex. When they moved into Borley Rectory, Mrs Smith made a gruesome discovery in a cupboard: a human skull. Soon the house was electric with ghosts. Within the year, the Smiths had abandoned it and the Rectory became notorious as the ‘most haunted house in England’.When Reverend Lionel Foyster moved in he experienced a further explosion of poltergeist activity with an increasing violence directed at his attractive young wife. Marianne was a passionate and sensuous woman isolated in a village haunted by ancient superstition and deep-rooted prejudice. She would be accused not only of faking the ghosts but of adultery, bigamy – and even murder.The haunting, sensationally reported in the tabloid press, gripped the nation. It was investigated by Harry Price, a self-made ‘psychic detective’. This was the case that would make Price’s name as the most celebrated ghost-hunter of the age. He recorded the evidence of 200 witnesses to over 2,000 supernatural incidents. This surely confirmed that not only did ghosts exist but, finally, here was proof of life after death. With the tension of a thriller and the uncanny chills of a classic English ghost story, Sean O’Connor brings the story of Borley Rectory to vivid life as an allegory for an age fraught with anxiety, haunted by the shadow of the Great War and terrified of the apocalypse to come

Between the trials of Oscar Wilde in the 1890s and the beginnings of legal reforms in the 1960s, the West End stage was dominated by the work of gay playwrights. Many of their plays, such as Private Lives, Blithe Spirit and The Deep Blue Sea are established classics and continue to inform our culture. In this fascinating book, covering both familiar and lesser-known works, Sean O'Connor examines the legacy of Wilde as a playwright and as a gay man, and explores in the works of Somerset Maugham, Noel Coward and Terence Rattigan the resonance of Wilde's agenda for tolerance and his creed of individuality. O'Connor contextualises these plays against the enormous social and historical changes of the twentieth century. He also examines the legal restrictions which regulated the personal lives of these writers and required them to evolve sophisticated strategies in order to express on stage, albeit obliquely, their dilemmas as gay men. From the delicate homoerotic frissons of Rattigan's early comedies to Coward's defiantly pro-sex stance, Straight Acting is a provocative and witty insight into the subtly subversive tactics of gay writers working in that apparently most conservative of forms, the 'well-made play'.

A claustrophobic and fast-moving game of cat and mouse, as three ruthless men and one woman drive relentlessly towards their destinies.