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Paul Allain

    Paul Allain est professeur de Théâtre et Performance, dont le travail explore le cœur de la pratique théâtrale et ses fondements théoriques. Sa recherche examine diverses traditions théâtrales, en étudiant l'évolution du théâtre polonais et les méthodologies physiques des acteurs japonais. Il analyse de manière critique les méthodes et l'impact de praticiens du théâtre importants, offrant aux lecteurs un aperçu approfondi du paysage mondial de cette forme d'art.

    Gardzienice
    The Art of Stillness
    Theatre and the City
    The Routledge Companion to Theatre and Performance
    • This volume provides an introduction to the significant people, events, concepts and practices that have defined the complementary fields of theatre and performance studies.

      The Routledge Companion to Theatre and Performance
    • Theatre and the City

      • 96pages
      • 4 heures de lecture
      4,0(51)Évaluer

      How can an understanding of theatre in the city help us make sense of urban social experience?

      Theatre and the City
    • The Art of Stillness

      The Theater Practice of Tadashi Suzuki

      • 234pages
      • 9 heures de lecture
      4,0(35)Évaluer

      Tadashi Suzuki has significantly influenced both Japanese and Western theater through his acclaimed productions and the development of the Suzuki method, a rigorous training system that shapes contemporary performance. Paul Allain, a practitioner of this method, offers a critical evaluation of Suzuki's contributions, exploring his collaborations, the role of architecture in his work, and his global impact on theater. The Art of Stillness presents a lively analysis of Suzuki as a pivotal figure in modern theater, highlighting his uncompromising artistic vision.

      The Art of Stillness
    • Gardzienice

      Polish Theatre in Transition

      • 202pages
      • 8 heures de lecture

      Founded in a small Polish village, the Gardzienice Theatre Association emerged as an experimental theatre company in 1977 and garnered acclaim for its dynamic performances by 1992. Celebrated for its unique blend of joy, anguish, and spiritual themes, the group has become Poland's leading theatre, training actors for prestigious companies like the Royal Shakespeare Company. Paul Allain explores their innovative sung performances, rigorous physical and vocal training, and anthropological research among marginalized European communities, highlighting their significant impact on contemporary theatre.

      Gardzienice