Johan Marklund Livres

Neo-noir knows its past. It knows the rules of the game – and how to break them. From Point Blank (1998) to Oldboy (2003), from Get Carter (2000) to 36 Quai des Orfèvres (2004), from Catherine Tramell to Max Payne, neo-noir is a transnational global phenomenon. This wide-ranging collection maps out the terrain, combining genre, stylistic and textual analysis with Marxist, feminist, psychoanalytic and industrial approaches. Essays discuss works from the US, UK, France, Japan, South Korea, Hong Kong and New Zealand; key figures, such as David Lynch, the Coen Brothers, Quentin Tarantino and Sharon Stone; major conventions, such as the femme fatale, paranoia, anxiety, the city and the threat to the self; and the use of sound and colour.

The book offers an in-depth exploration of analytical tools essential for modeling, analyzing, and designing business processes. It serves as a comprehensive resource for students, equipping them with the necessary skills to understand complex business operations effectively. The third edition enhances previous content, ensuring a thorough grasp of business process modeling and simulation techniques.

Film Noir explores the murky world of a genre responsible for many of film's most enduring images. Mark Bould discusses problems of definition and the often ambiguous nature of film noir and looks at modern films that could be called neo-noir. Iconic and enduring, film noir attracted great stars (Bogart, Bacall, Mitchum, Lancaster), many of the best directors of the era (Wilder, Lang, Preminger, Hawks, Siodmak, Welles) and this book is an indispensible guide to this popular genre.

Focusing on analytical business process modeling and design, this fourth edition of a popular textbook provides an updated perspective on the subject. It builds on the foundations of its predecessor, offering enhanced insights and methodologies for effectively modeling and simulating business processes.

John Sayles is an inspiration to independent filmmakers in America and beyond, both for his engaged political filmmaking and as living proof that directors can survive and thrive without the need for mainstream financing. His 1980s films were the counter-punch to the special effects and blockbuster aesthetics of the Star Wars and Spielberg era, and this volume closely follows his career with analysis of all of his directed works. Through discussion of films such as "Return of the Secaucus 7" (1980), "The Brother from Another Planet" (1984), "Matewan" (1987) and "Sunshine State" (2003), this study uncovers themes of racial and sexual otherness, capitalist excess and the erosion of community in his work. With new distribution channels now enabling independent cinema to reach a wider audience than ever before, this timely volume will be of interest to left-wing thinkers, guerrilla filmmakers and all aficionados of independent film.