A history of Technicolor filmmaking and an analysis of how colour works in film. This book draws on research and analysis of well-known movies, including Becky Sharp, A Star Is Born, and Adventures of Robin Hood, to show how the Technicolor films of the 1930s forged enduring conventions for handling colour in popular cinema.
Exploring themes of madness and memory, this diary reflects on the surreal experiences during the Covid pandemic. Scott Higgins weaves a narrative that captures the disorientation and introspection many faced, offering a unique perspective on life in the fog of uncertainty. The work serves as a follow-up to his previous acclaimed title, delving deeper into personal and collective struggles during a transformative time.