Sonja Ahlers Livres

A HAUNTING, BEAUTIFUL STUDY OF ART, POP, FEMININITY, AND FEMINISMBefore blogs, there were zines. Before zines, there were scrapbooks. Sometimes overlooked in the quest to produce high culture, these most direct and intimate means of communication and recording memory are the tools favored by Sonja Ahlers in the making of her art. A self-taught artist and writer, Ahlers wears her pop-culture obsessions on her sleeve, professing her love for such visual icons as Princess Di, Holly Hobbie, and Stevie Nicks. Focusing on found objects such as stickers, greeting cards, andmagazine photos collected in collage framework, complete with song lyrics hand-lettered in cursive script and heartbreaking, melancholic watercolors, Ahlers explores and exposes the social construction of roles, feminine and otherwise. Beginning with incipient childhood self-awareness and traversing high school status jockeying to adult social climbing, the cultural imagery that supports and informs personal identity is given uneasy new meanings and importance in Ahlers's visual remixes.

The final chapter oin a body of cut-and-paste work that is difficult to categorize but has sometimes been referred to as graphic poetry. Culled from decades of hunting and gathering in the underground, Ahlers has filled many binders to overflowing. Swan Song revisits the black and white photocopier esthetic of her genre-bending and influential book Temper, Temper and its sequel Fatal Distraction, finally completing this groundbreaking trilogy. Part art book, part zine collection, part diary, part graphic novel, but all Sonja Ahlers, we finally have closure from an artist who continues to push the boundaries of what a book can be.