Mette Hjort est une éminente spécialiste des études cinématographiques dont le travail explore l'intersection du cinéma, de la culture et de l'identité nationale. Ses recherches examinent comment les petites nations évoluent dans le paysage cinématographique mondial, en analysant les stratégies employées par les cinéastes pour affirmer leurs voix uniques. Les analyses de Hjort se caractérisent par une attention méticuleuse à la technique cinématographique et par un engagement perspicace dans les contextes théoriques et sociaux plus larges de la création cinématographique.
Exploring globalization through the lens of small nations, this study highlights the New Danish Cinema as a case study. Mette Hjort examines how this cinematic movement reflects and influences the cultural and economic dynamics of a privileged small nation within the global film market. The book delves into the interplay between local identity and international trends, providing insights into how small nations navigate and contribute to the broader cinematic landscape.
Lone Scherfig was the first of a number of women directors to take up the challenge of Dogme, the back-to-basics, manifesto-based, rule-governed, and now globalized film initiative introduced by Danish filmmakers Lars von Trier and Thomas Vinterberg in 1995. Entitled "Italiensk for begyndere" ("Italian for Beginners"), Scherfig's Dogme film transformed this already accomplished filmmaker into one of Europe's most noteworthy women directors. Danish and international critics lavished praise on Scherfig and her film, and their reactions harmonized with those of festival juries. Battered by life, but by no means defeated or destroyed, the characters in "Italian for Beginners" are all in touch at some deep intuitive level with the truth that is the film's basic message: that happiness and a sense of self-worth are sustained by love--romantic love but also by a community of like-minded people. The film struck an important chord with viewers precisely because it took Dogme in a new direction, one that reflects Scherfig's sensibilities and preferences as a woman. The book includes the Dogme manifesto and draws on interviews with the filmmaker as well as with the cast and crew. Mette Hjort is chair professor and head of visual studies at Lingnan University in Hong Kong, China.