Anita Desai Ordre des livres (chronologique)

From three times Booker-shortlisted writer Anita Desai, Rosarita is an exquisite story of art, memory and what happens when the past threatens to re- write the present.

Features such novellas as "The Museum of Final Journeys" and "Translator, Translated". In "The Museum of Final Journeys", an unnamed government official is called upon to inspect a faded mansion of forgotten treasures, each sent home by the absent, itinerant master. As he is taken through the estate, he reaches the final - greatest - gift of all.

Calcutta (renamed Kolkata in 2001) is a city of extremes, where exquisite refinement rubs shoulder with coarse commercialism and political violence. Krishna Dutta explores these multiple paradoxes, giving personal insight into Calcutta's unique history and modern identity as reflected in its architecture, literature, cinema, and music.

Eric is an uncertain, awkward young man, a would-be writer, and a traveller in spite of himself. Happy to follow his more confident girlfriend to Mexico, he is overwhelmed with sensory overload, but gradually seduced - by the strangeness, the colour, the mysteries of an older world. He finds himself on a curious quest for his own family in a 'ghost' mining town, now barely inhabited, where almost a hundred years earlier young Cornish miners worked the rich seams in the earth. On the D-a de los Muertos, the feast day when the locals celebrate and remember their dead, the various strands of the novel come together hauntingly, bringing together past and present in a moment of quiet, powerful epiphany.

How can we understand India today, fifty years after Independence and only months after its nuclear tests outraged the world? The novelist Arundhati Roy has written, specially for this collection, a fierce denunciation of the Indian nuclear program, which serves as an introduction to nine essays on India, all originally published in The New York Review of Books . In this volume, seven distinguished writers offer penetrating insights into the complexities of the subcontinent. Roderick MacFarquhar reflects on the legacy of Empire and Partition, Ian Buruma considers secularism and Indian democracy, Pankaj Mishra remembers life in Benares, and Christopher de Bellaigue writes on a violent Bombay. But the volatile intersections of history, politics, and culture on which they focus haunt Indian literature too, as shown in essays by Nobel Prize-winner Amartya Sen on Rabindranath Tagore, Hilary Mantel on Rohinton Mistry, and Anita Desai on Indian women's writing.

This is a collection of stories where the protagonists set out on journeys and find themselves suddenly beyond the pale, or back where they started from. A beloved dog brings chaos, and a businessman sees his own death.

" Elles se retrouvaient parfois dans d'autres villes, à des mariages familiaux auxquels accouraient les parents des quatre coins du pays, ravies d'exhiber leurs saris et leurs bijoux les plus somptueux... On aurait dit que leurs mères avaient soigné toutes ces jeunes filles comme des fleurs en pot jusqu'au moment où leurs joues seraient assez pleines, leurs lèvres assez brillantes ; petits rires et chuchotements aboutissaient à cette grande décision : le mariage. " Mais il s'agit presque toujours d'une union arrangée où l'amour ne joue aucun rôle. Possessive, autoritaire, étouffante, la famille indienne se révèle être ici un univers de violence, de cruauté et d'angoisse. Ravissante et intelligente, Anamika doit accepter le mari qu'on lui impose et qui sera son bourreau. Uma, laide et sotte et donc impossible à marier, est condamnée à devenir la vieille fille au service de tous. Quant à Arun, le fils, le préféré, celui à qui tout est dû, il se heurtera, aux États-Unis où il croyait pouvoir respirer un air de liberté, à d'autres contraintes. Dur, lourd de sensualité inexprimée, Le jeûne et le festin est peut-être le plus beau livre d'Anita Desai.

Asked to interview India's greatest poet, Nur, Deven sees a way to escape the miseries of life as a small-town scholar. But the old man he finds deep in the bazaars of Old Delhi bears no resemblance to the idol of his youth. Deven is fooled, bullied and cheated, and drawn into a new captivity.

Perceptive and humorous, these three stories capture the essence of life in India.