Le Cinéma
- 253pages
- 9 heures de lecture
French
Elia Kazan fut un cinéaste et metteur en scène de théâtre acclamé, producteur, scénariste et romancier qui co-fonda la prestigieuse Actors Studio. Son œuvre se caractérisait par une profonde exploration de la psychologie humaine et des dilemmes moraux complexes. Kazan se concentra sur des représentations authentiques de personnages et de problèmes sociétaux, laissant une empreinte indélébile tant au cinéma qu'au théâtre.







French
Elia Kazan was the twentieth century’s most celebrated director of both stage and screen, and this monumental, revelatory book shows us the master at work. Kazan’s list of Broadway and Hollywood successes—A Streetcar Named Desire, Death of a Salesman, On the Waterfront, to name a few—is a testament to his profound impact on the art of directing. This remarkable book, drawn from his notebooks, letters, interviews, and autobiography, reveals Kazan’s method: how he uncovered the “spine,” or core, of each script; how he analyzed each piece in terms of his own experience; and how he determined the specifics of his production. And in the final section, “The Pleasures of Directing”—written during Kazan’s final years—he becomes a wise old pro offering advice and insight for budding artists, writers, actors, and directors.
Stage director of "A Streetcar Named Desire" and "On The Waterfront" among others, tells of his background from a Greek immigrant family in New York to the heights of success and his controversial relationships with legendary figures like Marlon Brando, Tennessee Williams and James Dean.
Elia Kazan tells the story of his varied life and career. číst celé
A collection of writings by Elia Kazan, co-founder of the Actors Studio, producer of plays by Tennessee Williams and Arthur Miller and director of "On the Waterfront", "East of Eden" and "Splendour in the Grass". Here he discusses a range of topics from politics and directing to the actors he knew.
This fully annotated selection of Elia Kazan’s letters reveals all the passion, vitality, and raw honesty that made him such a towering figure in American theater and film. Kazan’s determination to be a “sincere, conscious, practicing artist” resounds through every phase of his career: his apprenticeship with the Group Theatre, his co-founding of the Actors Studio and co-direction of the Repertory Theater of Lincoln Center, and his innovative directing on Broadway (A Streetcar Named Desire and Death of a Salesman) and in Hollywood (On the Waterfront and East of Eden). Kazan collaborated with some of the greatest writers of the era, including Arthur Miller, Tennessee Williams, Thornton Wilder, and John Steinbeck. His letters to and about Marlon Brando, James Dean, Warren Beatty, Robert De Niro, and others are full of insights on acting and directing. We see his heated dealings with studio moguls, his principled resistance to censorship, the upheavals of testifying before the House Committee on Un-American Activities. We glimpse his inner life in his startlingly candid letters to his first wife and those to and about his children. The Selected Letters provides an extraordinary portrait of a complex, intense, monumentally talented man who engaged the political, moral, and artistic currents of the twentieth century.