Susan Green Livres

The Law & Order: Special Victims Unit Unofficial Companion is a comprehensive guide covering the first 10 seasons and includes a synopsis and an objective analysis for each episode, as well as commentaries or recollections from the people involved in crafting the one-hour tale. It goes after the heart of SVU through interviews with actors, writers, producers, casting agents, location scouts and others. The authors peek behind the scenes of the bicoastal operation, observing the progress of an entire episode shot in New York City and a script fine-tuned in Los Angeles. The book provides fascinating insight, delighting SVU devotees who love on-screen and backstage trivia. In addition, creator Dick Wolf offers readers a gripping foreword to the book.

Susan Green lives in the historic gold rush town of Castlemaine in Central Victoria with her husband, son and Gus the miniature schnauzer. She has been a teacher, radio producer, youth worker, cook and bookseller, but she knew she wanted to be a writer by the time she was eight years old. She has written many books for children and young adults. Verity Sparks and the Scarlet Hand is her third book with Walker Books.

I have attempted to integrate several of psychologist and professor Carol Gilligans ideas and psychological concepts to literally write through a black lens. My book, Through a Black Lens, is a nonfictional novel that psychologically describes the life experiences of black women through a black historical lens. Considering the psychological effects of the sociopolitical climate blacks wrote under, I describe why I believe black female authors left a literary legacy for their black daughters through their writing. It was the intention of outstanding black female authors to preserve their historical experiences in their written works and to create historical literature that can be remembered through the relational experiences of their daughters lives. This is what creates the commonality in the language, the content of their literature, and the lives of black women. And I believe it is this legacy that establishes the underpinnings of the black feminine criticism that will best frame the black womans standpoint epistemology.