Alex Ling Livres

Power, passion, politics. The sleepy state of Sarawak is stirred up as never before by the arrival of Gerald McBryan. An unscrupulous adventurer, he soon has the Rajah and Ranee eating out of his hand. The eminence grise of Rajah Vyner, he forces through decisions that have shaped what Sarawak is today. Twilight of the White Rajahs is set in the Sarawak of the interwar and immediate postwar period. Vyner, like Henry VII of England, has inherited a tightly run ship of state. But his own playboy nature, the antics of his wife and most important his failure to produce a male heir, threaten the dynasty into which he was born. Outside forces also increase the pressure on his regime. War clouds in the Pacific and the South China Sea. The desire for self-determination. The bullying of the British Colonial Office. The turbulent wave of anti-cession created by the Rajah Muda, Peter Brooke. A war of hot tempers, cunning and deviousness ensued; a war that everyone was determined to win at all costs. Twilight of the White Rajahs recounts in fascinating detail the lives of the chief actors during this period. Twilight of the White Rajahs continues the saga of Golden Dreams of Borneo as the tough pioneering spirit of the 19th century gives way to the more sophisticated politics of the 20th.

Dreams of Gold Dreams of Power These drove men and women to seek their fortune in Sarawak. They came from Britain to carve a future on virgin soil from China - to escape grinding poverty. They fought and traded, lived and died in the struggle to fulfil their dreams. Some lost their lives to bloodthirsty headhunters, or in the disease-ridden swamps and trackless jungles of the interior; some survived to make their fortune. Chinese, British, Malays rubbed shoulders with fearsome Sea Dayaks, and nomads in the hunter-gatherer stage of evolution. The Steam Age met the Stone Age in this exotic, untouched land. Cultures clashed in a multiracial society. Charles Brooke, enigmatic White Rajah of Sarawak, was a man of vision, a man with a mission to tame the natives first, then to protect them from exploitation. His dream was to take them gently towards modern civilisation, to bring them the rewards of self-development. He was paternalistic but loving, a truly benevolent despot. Dreams of Adventure Dreams of Romance Stephen Young, a young graduate, arrives in Sarawak in 1898. Seduced by its virgin beauty steaming jungle, majestic mountains and noble savages he stays. Erotic intrigue, passion, violence and warfare surround him. His goal is to survive these with his head and his heart intact.

The book explores the nature of modern controversies, highlighting how they capture public attention and provoke emotional responses. It delves into the duality of these scandals, where some are seen as revealing deeper truths beneath layers of deception, while others are viewed as strategic marketing ploys reflecting contemporary capitalism. By examining these dynamics, the author critiques society's obsession with scandal and the implications of our judgments in an era dominated by sensationalism.

He has been regarded with suspicion by some, as an anti-postmodernist who dared to write about unfashionable concepts such as truth and meaning. But in recent years, the philosopher Alain Badiou has risen in prominence, pioneering new ways to produce, conceptualise and discover art. Badiou Reframed is an original book about an original thinker which applies - for the first time - Badiou's philosophy to the visual arts. The six central concepts of this philosophy - 'being and appearing', 'event and subject' and 'truth and ethics' - are elucidated through detailed analysis of a range of visual artworks, including Marcel Duchamp's readymades, the abstract paintings of Kazimir Malevich and Mark Rothko, Banksy's contemporary street art, the sculpture of Alberto Giacometti, Stéphane Mallarmé's visual poetry and Victor Fleming's classic film The Wizard of Oz. In focusing on Badiou's critical relationship with the visual arts, Alex Ling reinterprets and represents not only the man, but art itself.