Imelda Whelehan Livres

This introduction provides a critical survey of the dominant trends in Anglo-American feminist thought since 1968. From the historical roots of second-wave feminism to current debates about feminist theory and politics, it sets out the different philosophies and political positions beforerelating them to feminism in the 1990s. Chapters analyse issues such as sexuality, representation, consciousness-raising and ideology from liberal, socialist, radical, black and lesbian feminist perspectives. Current crises which threaten to divide the women's movement are discussed, such as 'men in feminism', postmodernism, and thenotion of a backlash fuelled by detractors like Camille Paglia and Kate Roiphe.

Including nine new entries, this thoroughly revised edition provides an authoritative account of gender studies, reflecting on the complex and multi- faceted character of the field in a way that is accessible to students across the social sciences and humanities.

This is an excellent guide to Helen Fielding's genre-defining novel. It features a biography of the author, a full-length analysis of the novel, and a great deal more. If you're studying this novel, reading it for your book club, or if you simply want to know more about it, you'll find this guide informative and helpful. This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

This volume examines the phenomenon of laddishness and the cult of the girlie in film, TV, advertising, music, politics, literature, and society. It interprets these trends as a nostalgic longing for a pre-feminist society which, through the medium of comedy and irony, has been manipulated by popular media as a liberation from political correctness. Contrasting the culture icons of the 1990s with the 1970s tough chicks and the 1980s New Man and Have-It-All Woman, the book aims to show how the rhetoric of "laddism" emerged and how it has infused so many aspects of our cultural identity.