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Tim Whitmarsh

    Tim Whitemarsh est un éminent spécialiste de la culture grecque, dont le travail explore la littérature et la société des périodes hellénistique et romaine. Ses analyses pénètrent les profondeurs de la pensée antique, examinant des thèmes tels que la croyance, le scepticisme et la recherche de sens dans un monde en mutation. Le style de Whitemarsh est reconnu pour son érudition et sa capacité à faire revivre le passé pour le lecteur moderne, offrant ainsi un aperçu captivant de la vie et de l'esprit de nos prédécesseurs antiques.

    Rome's Age of Revolution
    Cambridge Classical Classics: Interaction in Poetic Imagery
    New Simpler French Course, a Paper
    Battling the Gods
    Narrative and Identity in the Ancient Greek Novel
    Ancient Greek Literature
    • In this book, Tim Whitmarsh offers an innovative new introduction to ancient Greek literature. The volume integrates cutting--edge cultural theory with the latest research in classical scholarship, providing a comprehensive, sophisticated and accessible account of literature from Homer to late antiquity.

      Ancient Greek Literature
    • Narrative and Identity in the Ancient Greek Novel

      Returning Romance

      • 312pages
      • 11 heures de lecture
      1,0(1)Évaluer

      Focusing on the Greek romances of the Roman Empire, the book delves into their significance in shaping and reflecting Greek identity. It examines how these narratives not only captivated audiences but also provided insights into cultural values and societal norms of the time, highlighting their lasting impact on literature and identity formation.

      Narrative and Identity in the Ancient Greek Novel
    • How new is atheism?Long before the Enlightenment sowed seeds of disbelief in a deeply Christian Europe, atheism was a matter of serious public debate in the Greek world.

      Battling the Gods
    • Cambridge Classical Classics: Interaction in Poetic Imagery

      With Special Reference to Early Greek Poetry - Second Edition

      • 318pages
      • 12 heures de lecture

      This path-breaking book has made an unusual and original contribution to literary theory by means of a study of the literature of ancient Greece. It investigates an aspect of poetic imagery in the practical context of Greek lyric and drama up to and including Aeschylus and Pindar. Several hundred passages are systematically examined, with many passages from English verse introduced to provide illustration. Using these, Michael Silk formulates a new critical concept, 'interaction', which characterises certain features of metaphor and other imagery and explores in detail their nature and significance. He then proceeds to discuss related issues in the fields of stylistics and literary theory, give fresh insights into several features of ancient literature, and - above all - make important contributions to the theory and practice of 'literary lexicography' in a dead language. This reissue contains a substantial new Introduction engaging with critical and scholarly developments since first publication.

      Cambridge Classical Classics: Interaction in Poetic Imagery
    • Rome's Age of Revolution

      • 384pages
      • 14 heures de lecture

      How did Christianity, starting out as a minor offshoot of Judaism, grow into an international faith that shaped the world as we know it? Rome’s Age of Revolution corrects the triumphalist narrative that the Christian message was so persuasive, and indeed superior, that people converted in huge numbers, abandoning their pagan beliefs, thereby turning a small persecuted sect into the state religion of the Roman Empire.Tim Whitmarsh shows that Christianity would never have succeeded if it had not taken advantage of the infrastructure and culture of the Roman Empire; in turn the new religion was indelibly shaped and transformed by Roman beliefs and ideas, especially those circulating in the Greek-speaking, or Hellenistic, eastern parts of the empire. This radical transformation, Tim argues, can only be described as a revolution. The consequences are with us to this day.

      Rome's Age of Revolution
    • Greek Literature and the Roman Empire

      The Politics of Imitation

      • 396pages
      • 14 heures de lecture

      Focusing on the interplay between Greek identity and literary expression during the Roman Empire, this work delves into the sophisticated writings that emerged amidst a backdrop of cultural conflict. It employs contemporary literary and cultural theories to analyze how these texts reflect the struggles for identity within the diverse Roman Empire, highlighting the significance of this literary surge in understanding Greek heritage during this transformative period.

      Greek Literature and the Roman Empire
    • Beyond the Second Sophistic

      • 296pages
      • 11 heures de lecture

      The “Second Sophistic” traditionally refers to a period at the height of the Roman Empire’s power that witnessed a flourishing of Greek rhetoric and oratory, and since the 19th century it has often been viewed as a defense of Hellenic civilization against the domination of Rome. This book proposes a very different model. Covering popular fiction, poetry and Greco-Jewish material, it argues for a rich, dynamic, and diverse culture, which cannot be reduced to a simple model of continuity. Shining new light on a series of playful, imaginative texts that are left out of the traditional accounts of Greek literature, Whitmarsh models a more adventurous, exploratory approach to later Greek culture. Beyond the Second Sophistic offers not only a new way of looking at Greek literature from 300 BCE onwards, but also a challenge to the Eurocentric, aristocratic constructions placed on the Greek heritage. Accessible and lively, it will appeal to students and scholars of Greek literature and culture, Hellenistic Judaism, world literature, and cultural theory.

      Beyond the Second Sophistic