Robbie Robertson fut le guitariste et principal auteur-compositeur de The Band. Son écriture puise souvent dans ses racines, explorant les thèmes de l'identité et de l'histoire à travers des chansons puissantes et narratives. L'influence de Robertson s'étend au-delà de la musique, puisqu'il s'est également tourné vers la littérature jeunesse et les bandes sonores de films, où son style distinctif enrichit la narration visuelle. Son dévouement de toute une vie à soutenir la musique autochtone souligne sa profonde connexion avec le patrimoine culturel.
(Guitar Recorded Versions). Includes the greatest hits of the Band. Titles are: Acadian Driftwood * American Roulette * Hell's Half Acre * King's Harvest (Has Surely Come) * It Makes No Difference * Life Is a Carnival * The Night They Drove Old Dixie Down * Ophelia * Rag Mama Rag * Showdown at Big Sky * Stage Fright * Sweet Fire of Love * Unfaithful Servant * Up on Cripple Creek.
Robbie Robertson's Testimony is a book of memories and wonders, a personal testament of a magical time in American music from someone who was there, at the centre of it all, playing and casting spells and writing songs that helped define those great lost years. There's history here, and anecdote, regret and reminiscence, a long fond look back at the trials and triumphs of finding your voice then holding your ground. The tone is easy, conversational, like reminiscing with a friend about things you never realized you were part of too. Robbie brings you along with him, keeps you right by his side first to last, just the way his songs do, drawing you close, spellbound by his easy sorcery. You can feel the music in every word. Martin Scorsese
The amazing story of Hiawatha as told by legendary musician Robbie Robertson and Caldecott Honor-winning illustrator David Shannon
Part memoir, part tribute, and all great storytelling ... Music industry veterans Robbie Robertson, Jim Guerinot, Jared Levine, and Sebastian Robertson invite young readers to share with them in celebrating twenty-seven musical legends. Short profiles chronicle personal stories and achievements of extraordinarily talented artists whose innovations changed the landscape of music for generations to come. Carefully compiled like any great playlist, the line-up features originators, rebels, and risk-takers across diverse genres. From Ray Charles to Johnny Cash, Chuck Berry to Bob Dylan, Robertson shares anecdotes about these artists and the influence they had on his own musical journey. Always respectful of their reader, the writers never shy away from speaking about the difficult challenges these recording artists faced and the very human foibles that sometimes led to their tragic end. Most of all, it's the authors' passion and insights into these personal stories of creativity and collaboration -- and the power of music to shine a light on injustice and foster change -- that will fascinate, enlighten, and inspire music fans of all ages.
His admirers said he was a charismatic leader with a dazzling smile, a commoner following an ancient tradition of warrior service on behalf of an indigenous people who feared marginalisation at the hands of ungrateful immigrants. One tourist pleaded with him to stage a coup in her backyard; in private parties around the capital, Suva, infatuated women whispered ‘coup me baby’ in his presence. It was so easy to overlook the enormity of what he had done in planning and implementing Fiji’s first military coup, to be seduced by celebrity, captivated by the excitement of the moment, and plead its inevitability as the final eruption of long-simmering indigenous discontent. A generation would pass before the consequences of the actions of Fiji’s strongman of 1987, Sitiveni Rabuka, would be fully appreciated but, by then, the die had been well and truly cast. The major general did not live happily ever after. No nirvana followed the assertion of indigenous rights. If anything, misadventure became his country’s most enduring contemporary trait. This is Fiji’s very human story.