John Brenkman Livres

In Mood and Trope, John Brenkman introduces two provocative propositions to affect theory: that human emotion is intimately connected to persuasion and figurative language; and that literature, especially poetry, lends precision to studying affect because it resides there not in speaking about feelings, but in the way of speaking itself. Engaging a quartet of modern philosophers—Kant, Nietzsche, Heidegger, and Deleuze—Brenkman explores how they all approach the question of affect primarily through literature and art. He draws on the differences and dialogues among them, arguing that the vocation of criticism is incapable of systematicity and instead must be attuned to the singularity and plurality of literary and artistic creations. In addition, he confronts these four philosophers and their essential concepts with a wide array of authors and artists, including Pinter and Poe, Baudelaire, Jorie Graham and Li-Young Lee, Shakespeare, Tino Sehgal, and Francis Bacon. Filled with surprising insights, Mood and Trope provides a rich archive for rethinking the nature of affect and its aesthetic and rhetorical stakes.

The book critically examines the impact of 9/11 on American foreign policy, highlighting the tension between ideals like democracy and the reality of ongoing conflicts in the Muslim world. John Brenkman analyzes the flawed rhetoric surrounding freedom and democracy, arguing that it has distorted political discourse. By revisiting the foundational contradictions of democratic thought, he seeks to revitalize the conversation around liberty and provide a new framework for political debate in the context of contemporary global challenges.

"The Cultural Contradictions of Democracy picks apart the intellectual design and messianic ambitions of the neoconservative American foreign policy articulated by figures such as Robert Kagan and Paul Berman; it casts the same critical eye on a wide range of liberal and leftist thinkers, including Noam Chomsky and Jurgen Habermas, and probes the severe crisis that afflicts progressive political thought. Brenkman draws on the contrary visions of Hobbes, Kant, Max Weber, Hannah Arendt, and Isaiah Berlin in order to disclose the new contours of conflict in the age of geo-civil war, and to illuminate the challenges and risks of contemporary democracy."--Jacket

Major psychoanalytic thinkers from Freud to Ricoeur to Lacan considered the Oedipus complex the key to explaining the human psyche and human sexuality, even culture itself. But, in fact, they were merely theorizing males. In this title, originally published in 1993, the author reassesses the benchmark concepts of Freudian thought, building on feminist criticisms of psychoanalysis and the new history of sexuality. The psychoanalytic questions become political questions: How do the norms of heterosexuality and masculinity themselves emerge within modern society and culture? How do the institutions of compulsory heterosexuality and modern patriarchy shape identity and desire? What make heterosexuality compulsory in our society? Brenkman argues that the larger social world is part and parcel of the Oedipus complex. He challenges psychoanalysis to reinvent its cultural project, as a therapeutics and an ethics, by recovering the moral-political dimension in its approach to family, sexuality and gender. Straight Male Modern casts a new light on psychoanalysis¿s contribution to modern life, revealing the richness of the Freudian tradition¿s encounter with modern politics and culture, and the poverty of its response.