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Laura Edmondson

    Performance and Politics in Tanzania
    Performing Trauma in Central Africa
    • Performing Trauma in Central Africa

      • 400pages
      • 14 heures de lecture
      3,0(1)Évaluer

      What are the stakes of cultural production in a time of war? How is artistic expression prone to manipulation by the state and international humanitarian organizations? In the charged political terrain of post-genocide Rwanda, post-civil war Uganda, and recent violence in the Democratic Republic of Congo, Laura Edmondson explores performance through the lens of empire. Instead of celebrating theatre productions as expression of cultural agency and resilience, Edmondson traces their humanitarian imperatives to a place where global narratives of violence take precedence over local traditions and audiences. Working at the intersection of performance and trauma, Edmondson reveals how artists and cultural workers manipulate narratives in the shadow of empire and how empire, in turn, infiltrates creative capacities.

      Performing Trauma in Central Africa
    • Performance and Politics in Tanzania

      The Nation on Stage

      • 192pages
      • 7 heures de lecture

      Exploring the intersection of state agendas and local desires, this book delves into the complexities of democracy in Tanzania, questioning its definitions and the dynamics of power. It examines the role of tradition in a postsocialist context and considers how the future of the nation will be shaped. Through an engaging analysis, the author sheds light on popular forms of expression amidst significant political and social transformations in East Africa.

      Performance and Politics in Tanzania