Rated Agency
- 240pages
- 9 heures de lecture
The extraordinary shift in conduct and orientation-among companies, governments, and individuals-generated by financialization.
Michel Feher est un philosophe belge dont l'œuvre explore la nature du pouvoir, de la politique et de la communauté internationale. Il examine de manière critique comment les individus et les communautés sont façonnés par des forces politiques et sociales plus larges. L'approche philosophique de Feher se caractérise par une analyse approfondie des phénomènes sociétaux contemporains et de leurs fondements historiques. Par ses écrits et son travail éditorial, il offre des perspectives profondes sur les défis complexes auxquels le monde moderne est confronté.




The extraordinary shift in conduct and orientation-among companies, governments, and individuals-generated by financialization.
The forty-eight essays and photographic dossiers in these three volumes examine the history of the human body as a field where life and thought intersect. They show how different cultures at different times have entwined physical capacities and mental mechanisms in order to construct a body adapted to moral ideas or social circumstances ― the body of a charismatic citizen or a visionary monk, a mirror image of the world or a reflection of the spirit.Each volume emphasizes a particular perspective. Part 1 explores the human body’s relationship to the divine, to the bestial, and to the machines that imitate or simulate it. Part 2 covers the junctures between the body’s “outside” and “inside” by studying the manifestations ― or production ― of the soul and the expression of the emotions and, on another level, by examining the speculations inspired by cenesthesia, pain, and death. Part 3 brings into play the classical opposition between organ and function by showing how organs or bodily substances can be used to justify or challenge the way human societies function and, conversely, how political and social functions tend to make the bodies of the persons filling them the organs of a larger body
Fragments for a History of the Human Body, Part 1
The forty-eight essays and photographic dossiers in these three volumes examine the history of the human body as a field where life and thought intersect. They show how different cultures at different times have entwined physical capacities and mental mechanisms in order to construct a body adapted to moral ideas or social circumstances -- the body of a charismatic citizen or a visionary monk, a mirror image of the world or a reflection of the spirit. Each volume emphasizes a particular perspective. Part 1 explores the human body's relationship to the divine, to the bestial, and to the machines that imitate or simulate it. Part 2 covers the junctures between the body's "outside" and "inside" by studying the manifestations -- or production -- of the soul and the expression of the emotions and, on another level, by examining the speculations inspired by cenesthesia, pain, and death. Part 3 brings into play the classical opposition between organ and function by showing how organs or bodily substances can be used to justify or challenge the way human societies function and, conversely, how political and social functions tend to make the bodies of the persons filling them the organs of a larger body -- the social body or the universe as a whole. Among the contributors to Fragments for a History of the Human Body are Mark Elvin, Catherine Gallagher, Fran�oise H�ritier-Aug�, Julia Kristeva, William R. LaFleur, Thomas W. Laqueur, Jacques Le Goff, Nicole Loraux, Mario Perniola, Hillel Schwartz, Jean Starobinski, Jean-Pierre Vernant, and Caroline Walker Bynum.