This poem, originally published in 1892, presents a powerful political commentary through vivid imagery and allegorical figures. It critiques tyranny and advocates for social justice, employing a unique structure that combines lyrical beauty with a call to action. The work reflects the tumultuous historical context of its time, making it a significant piece for understanding the intersection of art and politics.
Thomas J. Wise Livres
Cette figure a acquis une notoriété pour son profond engagement envers les livres et la collection, notamment la vaste Ashley Library. Cependant, sa réputation s'est ensuite mêlée à des contrefaçons littéraires et à des documents mal représentés qu'il revendait ou authentifiait lui-même. Cet héritage complexe complique sa présence, par ailleurs significative, dans le monde de la bibliophilie et de la collection.





Bells and Pomegranates
- 340pages
- 12 heures de lecture
Letters From Percy Bysshe Shelly to J. h. Leigh Hunt
- 84pages
- 3 heures de lecture
Letters to Ernest Chesneau
- 76pages
- 3 heures de lecture
This reprint of the 1894 edition presents a collection of letters addressed to Ernest Chesneau, offering insights into the thoughts and experiences of the correspondents. The work captures the essence of its time, showcasing the nuances of communication and relationships during the late 19th century. Readers can expect a blend of personal reflections and historical context, making it a valuable resource for those interested in the era's social dynamics.
Excerpt from Coleridgeiana: Being a Supplement to the Bibliography of ColeridgeTwo letters from Coleridge to Mary Evans, and one to John Thelwall, were first printed in this volume.This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.