The book reexamines the debates among Chinese left-wing theorists, particularly focusing on Hu Feng and Lu Ling, through a cultural-political lens. It argues for a contextual understanding of individualism, emphasizing that subjectivity is class-based and rooted in collective community experiences. This perspective challenges traditional notions of individualism by linking it to historical changes and communal identity.
Hu Feng's Theory and Lu Ling's Fiction
Exploring the interplay of subjectivity and realism in modern Chinese literature, this book examines Hu Feng's theoretical writings and Lu Ling's fictional works. It argues that individualism should be contextualized within historical frameworks rather than viewed as a timeless value. By analyzing the social-historical subtext, it highlights how subjectivity is influenced by class and community rather than mere personal choice. Xiaoping Wang advocates for a nuanced understanding of intellectuals' cultural-political strategies, illuminating the relationship between recognition and literary style.
Focusing on the stigmatisation of people living with HIV/AIDS in China, the book employs social exclusion, actor, and stigma theories to analyze the social mechanisms at play. Through qualitative research involving interviews with both PLWHA and healthy individuals, it investigates the impacts of stigma on education, employment, healthcare, and social relations. The findings aim to inform a policy framework addressing these issues from a welfare pluralism perspective, making it a valuable resource for graduate students, researchers, and policymakers.
Globalization and Its Chinese Discontents
Ideology and Utopia in China’s New Wave Cinema investigates the ways in which New Wave filmmakers represent China in this age of neoliberal reform. Analyzing this paradigm shift in independent cinema, this text explores the historicity of the cinematic form and its cultural-political visions. Through a close reading of the narrative strategy of key films in New Wave Cinema, Xiaoping Wang studies the movement’s impact on film, literature, culture and politics.