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David H. Solkin

    David H. Solkin est reconnu pour ses aperçus profonds sur l'histoire sociale de l'art, se concentrant particulièrement sur la relation complexe entre la création artistique et la sphère publique. Son travail savant explore les contextes économiques et sociétaux qui ont façonné l'art en Angleterre au XVIIIe siècle, examinant comment les artistes ont navigué le mécénat et les marchés pour s'engager auprès d'un public plus large. L'approche de Solkin offre une riche compréhension des forces qui ont influencé la production et la réception artistiques pendant une ère charnière.

    Painting Out of the Ordinary: Modernity and the Art of Everday Life in Early Nineteenth-Century Britain
    Gainsborough's Family Album
    Richard Wilson
    • . Tate Publishing Ltd, bright clean copy, no markings, Professional booksellers since 1981

      Richard Wilson
    • Gainsborough's Family Album

      • 192pages
      • 7 heures de lecture
      4,5(2)Évaluer

      Despite this famous protestation in a letter to his friend William Jackson, Thomas Gainsborough (1727-88) was clearly prepared to make an exception when it came to making portraits of his own family and himself. This book features over 50 portraits of himself, his wife, his daughters, other close relatives and his beloved dogs, Tristram and Fox. Spanning more than four decades, Gainsborough's family portraits chart the period from the mid-1740s, when he plied his trade in his native Suffolk, to his most successful latter years at his luxuriously appointed studio in London's West End. Alongside this story of a provincial 18th-century artist's rise to fame and fortune runs a more private narrative, about the role of portraiture in the promotion of family values, at a time when these were assuming a recognizably modern form

      Gainsborough's Family Album
    • Set against the backdrop of the Napoleonic Wars, the emergence of a new wave of British painters, led by David Wilkie, transformed London's art scene. These artists focused on everyday life, bridging the Age of Revolution with contemporary culture. Their work highlighted the intertwining of common people with historical events, blurred the lines between rural and urban life, and reflected a shift towards a more dynamic present, challenging traditional norms and patterns of the past.

      Painting Out of the Ordinary: Modernity and the Art of Everday Life in Early Nineteenth-Century Britain