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Joel Coen

    Joel et Ethan Coen, connus collectivement sous le nom des frères Coen, sont des cinéastes américains célébrés pour leur voix cinématographique distinctive. Leur travail mélange magistralement les genres, naviguant sans effort entre des comédies screwball cinglantes, des films noir atmosphériques et des récits innovants qui brouillent les pistes. Réputés pour leur vision unifiée et leur approche créative partagée, ils ont créé une œuvre cinématographique riche et acclamée par la critique.

    No Country for Old Men
    Raising Arizona
    The Big Lebowski
    • The screenplay to another offbeat movie by the Academy Award-winning Coen brothers. As a result of a case of mistaken identity, Jeffrey Lebowski - alias The Dude - finds himself entangled in a kidnapping caper as a bag man - a situation that goes from bad to even worse due to the interference of his hapless bowling partners.

      The Big Lebowski
      4,4
    • Raising Arizona

      • 160pages
      • 6 heures de lecture

      It's easy to see why Raising Arizona is one of the best and most beloved films that Ethan and Joel Coen have yet to create. The cultish humor, original characters, fresh cinematography, catchy soundtrack, and zany yet well-structured plot to be found in this film are all Coen brothers trademarks. Nicholas Cage plays a veteran criminal who marries a prison guard named Edwina (Holly Hunter). Because he and his wife cannot conceive, our convict-hero kidnaps, with only the most earnest intentions, one of the famous "Arizona Quintuplets." A hellacious bounty-hunting biker and two old pals who have just escaped from the pen make it very hard for the couple to raise their child properly.This is a movie—and a screenplay—marked by breathless chases, improbable scenes, and hilarious dialogue throughout.

      Raising Arizona
    • No Country for Old Men

      • 322pages
      • 12 heures de lecture

      Stumbling upon a bloody massacre, a cache of heroin, and more than two million in cash during a hunting trip, Llewelyn Moss removes the money, a decision that draws him and his young wife into the middle of a violent confrontation.

      No Country for Old Men
      4,3