Trend-Driven Innovation Beat accelerating customer expectations. Every business leader, entrepreneur, innovator, and marketer wants to know where customers are headed. The problem? The received wisdom on how to find out is wrong.
Crystal Grids provides the necessities for successful grid workings and twenty nine specific crystal grids that are already expertly designed and ready for use. Whether your goals are controlling anger, overcoming anxiety, blessing your home, clearing negative energy, or drawing wealth, this book has a grid for you.
The book offers detailed lectures on vital components of human anatomy, focusing on the heart, lungs, pericardium, pleura, and mediastinum. This reprint preserves the original content from 1765, providing insights into historical medical understanding and practices. It serves as a valuable resource for those interested in the evolution of anatomical studies and the foundational knowledge of respiratory and cardiovascular systems.
Unwin's paintings each have their own autonomy yet possess a clear genetic and familial link such that the entire breadth of her output has no specific hierarchical order. There are recurring motifs that suggest an autobiographical sunglasses, modernist geometrical forms and portraits - one of the images depicts a person blushing in the dark, a glowing face with black impasto eyelids. Throughout her work the artist creates a counterpoint between explosive abstract paintings and a darker, often sinister psychological interior space.
With a large body of work mainly comprising mixed-media paintings, Tamuna Sirbiladze was known for her distinctive style, which continually forged new terms between dichotomous relationships. Abstract and figurative, playful and serious, energetic and quiet, vibrant and muted, Sirbiladze’s work is characterized by both its intensity and flexibility. Known for the speed at which she worked, there is a quality of immediacy in her paintings, as if they provide direct access to her imagination. This primacy is perhaps most evident in her gestural, improvisatory paintings made with oil sticks on unstretched, raw canvas, which purposely retain the appearance of being unfinished. “As an artist,” Sirbiladze writes, “I don’t want to control what the representation will be seen as.” This catalogue presents a careful selection of these oil stick works along with her other paintings—including her celebrated V Collection (2012), which was made in dialogue with iconic works by Caravaggio, Giotto, Raphael, and Velazquez, as well as her later paintings focused on women’s bodies in intimate, underrepresented scenes, Sirbiladze’s response to male dominance in the art world. With contributions by Max Henry, Anna Kats, and Julie Ryan, as well as a conversation with the artist and an arrangement of fifteen sonnets by her partner, Benedikt Ledebur, this publication provides a comprehensive survey of Sirbiladze’s works and practice.