Marjorie Shelley Livres

The Metropolitan Museum of Art in New York houses one of the world's largest and most comprehensive collections of antiquities and works of art. Their preservation is a responsibility that involves everyone who serves the Museum and who has access to the collection. This handbook offers a practical guide to the ways in which different art objects should be handled and cared for, whether they are on display, in transit, or in storage; and it also explains some of the fundamental principles of conservation that underlie Museum practice. The first part of the book sets out guidelines for dealing with the entire spectrum of works in the Metropolitan Museum: paintings, drawings and prints, textiles, costumes, musical instruments, and three-dimensional objects, whether monumental sculpture or filigree jewelry. In the second part the emphasis is on matters and procedures that affect the collection in general, such as climate controls, light levels, and photography. Included at the end are a selected glossary of conservation terms, a short reading list, and space for the reader's own notes. Drawing on the professional experience of curators and conservators from many different departments, The Care and Handling of Art Objects has been put together primarily for those who work in the Metropolitan Museum. What it has to say, however, will be of great interest to others - private collectors large and small, museum visitors, and concerned members of the public [Publisher description]

Known as the master of French Romanticism for his energetic paintings, Eugène Delacroix (1798–1863) was also a consummate draftsman. Yet his drawings remained largely unknown to the public during his lifetime. Beginning with a posthumous studio sale in 1864, however, these drawings have been sought after and widely appreciated for the incomparable insight they afford into the artist’s process. This handsome book, one of the few to explore the topic in depth, provides new insight into Delacroix’s drawing practice, paying particular attention to his methods and the ways in which he pushed the boundaries of the medium. It showcases a selection of more than one hundred drawings, many of which have been rarely seen, from Karen B. Cohen’s world-renowned collection. The works highlighted here range from finished watercolors to sketches, from copies after old masters and popular prints to drawings preparatory to many of Delacroix’s most important painting and print projects. Illustrated with a wealth of comparative images, the book examines the essential role of drawing in the artist’s formation and aesthetic practice, while two shorter texts trace the history of the collecting of Delacroix’s work at the Metropolitan Museum and present important new research on his materials and techniques. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}