Katharine Baetjer Livres

The Metropolitan Museum Journal, issued annually by the Metropolitan Museum of Art, publishes original research on works in the Museum’s collections and the areas of investigation they represent. The essays in this volume include a new analysis of Greek marble sculptures in the museum’s collection, two articles on Tullio Lombardo’s Adam, a case-study of lessons learned from scientific analysis of the Peiter Coecke van Aelst tapestry Gluttony, and a discussion of The Expulsion from Paradise by Charles Joseph Natoire, which was once owned by Honoré de Balzac.

"This authoritative book surveys the remarkable collection of 18th-century French paintings at The Metropolitan Museum of Art in the context of the institutions that governed the visual arts in the 1700s -- the Académie Royale de Peinture et de Sculpture, the Académie de France à Rome, and the Paris Salon. The works catalogued feature stunning examples by leading painters of the period, including Antoine Watteau, Jean Siméon Chardin, François Boucher, Joseph Siffred Duplessis, Jean-Baptiste Greuze, Hubert Robert, Jacques Louis David, the Van Blarenberghes, and François Gérard. Katharine Baetjer provides an incisive history of the Académie Royale, its formation, principles, and regulations, and explores the beginnings of public art discourse in France. Organized chronologically by artists' birth years, the book includes a short biography of each artist and in-depth discussions of individual paintings that incorporate the most up-to-date scholarship, while numerous comparative illustrations provide essential context."--Yale University Press website